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Evokation
  
 
Index
  

 

 

 

 

 

 

 

 

11
THE ADVENT
-
-
-
3
THE
33
15
6
6
ADVENT
66
21
3
9
THE ADVENT
99
36
9
-
-
9+9
3+6
-
2
THE ADVENT
9
9
9

 

 


 

 

 

 

..

 

 

THE LIGHT IS RISING NOW W RISING IS THE LIGHT

 

 

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly, too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.

With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
7
-
7
NUMBERS
92
56
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
1
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
U
=
3
2
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
3
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
B
=
2
4
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
6
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
7
1
S
19
1
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
56
-
7
NUMBERS
92
56
56
-
1
2
3
4
10
6
7
8
9
-
-
5+6
-
-
-
9+2
5+6
5+6
-
-
-
-
-
1+0
-
-
-
-
-
-
11
-
7
NUMBERS
11
11
11
-
1
2
3
4
1
6
7
8
9
-
-
1+1
-
-
-
1+1
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
2
-
7
NUMBERS
2
2
2
-
1
2
3
4
1
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
7
-
7
NUMBERS
92
56
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
7
1
S
19
1
1
-
1
-
-
-
-
-
-
-
-
B
=
2
4
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
2
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
3
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
N
=
5
1
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
6
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
56
-
7
NUMBERS
92
56
56
-
1
2
3
4
10
6
7
8
9
-
-
5+6
-
-
-
9+2
5+6
5+6
-
-
-
-
-
1+0
-
-
-
-
-
-
11
-
7
NUMBERS
11
11
11
-
1
2
3
4
1
6
7
8
9
-
-
1+1
-
-
-
1+1
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
2
-
7
NUMBERS
2
2
2
-
1
2
3
4
1
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
9
N
=
7
-
7
NUMBERS
92
56
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
9
S
=
1
7
1
S
19
1
1
-
1
-
-
-
-
-
B
=
2
4
1
B
2
2
2
-
-
2
-
-
-
-
U
=
3
2
1
U
21
3
3
-
-
-
3
-
-
-
M
=
4
3
1
M
13
4
4
-
-
-
-
4
-
-
N
=
5
1
1
N
14
5
5
-
-
-
-
-
5
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
R
=
9
6
1
R
18
9
9
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
56
-
7
NUMBERS
92
56
56
-
1
2
3
4
10
9
-
-
5+6
-
-
-
9+2
5+6
5+6
-
-
-
-
-
1+0
-
-
-
11
-
7
NUMBERS
11
11
11
-
1
2
3
4
1
9
-
-
1+1
-
-
-
1+1
1+1
1+1
-
-
-
-
-
-
-
-
-
2
-
7
NUMBERS
2
2
2
-
1
2
3
4
1
9

 

THE

LANGUAGE OF NUMBERS THE NUMBERS OF LANGUAGE

 

N
=
5
-
9
NUMERORUM
138
48
3
M
=
4
-
8
MYSTERIA
110
38
2
-
-
9
-
17
First Total
248
86
5
-
-
-
-
1+7
Add to Reduce
2+4+8
8+6
-
-
-
9
-
8
Second Total
14
14
5
-
-
-
-
-
Reduce to Produce
1+4
1+4
-
-
-
9
-
8
Essence of Number
5
5
5

 

 

Pietro Bongo - Wikipedia

https://en.wikipedia.org/wiki/Pietro_Bongo

Pietro Bongo (alternate spelling: Petrus Bungus) was a medieval Italian writer. ... Bibliography[edit]. Some of his books are: Numerorum Mysteria ...

Pietro Bongo (alternate spelling: Petrus Bungus) was a medieval Italian writer.
He came from a noble family. He was born and raised in Bergamo, Italy.[1]
He died on 24 September 1601.[2]

He studied the four mathematical arts of the quadrivium: arithmetic and geometry, music theory and astronomy, and philosophy and theology, beside the classical poetry and the occult sciences of magic and kabbalah. He mastered the Hebrew, Greek, and Latin languages.[3]
In his books, he has tried his best to reconcile Pythagorean doctrine with Christian theology.[4]

 

THE

LANGUAGE OF NUMBERS THE NUMBERS OF LANGUAGE

 

N
=
5
-
9
NUMERORUM
138
48
3
M
=
4
-
8
MYSTERIA
110
38
2
-
-
9
-
17
First Total
248
86
5
-
-
-
-
1+7
Add to Reduce
2+4+8
8+6
-
-
-
9
-
8
Second Total
14
14
5
-
-
-
-
-
Reduce to Produce
1+4
1+4
-
-
-
9
-
8
Essence of Number
5
5
5

 

 

Pietro Bongo - Wikipedia

https://en.wikipedia.org/wiki/Pietro_Bongo

Pietro Bongo (alternate spelling: Petrus Bungus) was a medieval Italian writer. ... Bibliography[edit]. Some of his books are: Numerorum Mysteria ...

Pietro Bongo (alternate spelling: Petrus Bungus) was a medieval Italian writer.
He came from a noble family. He was born and raised in Bergamo, Italy.[1]
He died on 24 September 1601.[2]

He studied the four mathematical arts of the quadrivium: arithmetic and geometry, music theory and astronomy, and philosophy and theology, beside the classical poetry and the occult sciences of magic and kabbalah. He mastered the Hebrew, Greek, and Latin languages.[3]
In his books, he has tried his best to reconcile Pythagorean doctrine with Christian theology.[4]

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
-
9
NUMERORUM
138
48
3
-
-
-
-
-
-
-
-
-
-
M
=
4
-
8
MYSTERIA
110
38
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
1
1
N
5
5
5
-
-
-
-
-
5
7
-
-
-
U
=
3
2
1
U
21
3
3
-
-
-
3
-
-
7
-
-
-
M
=
4
3
1
M
13
4
4
-
-
-
-
4
7
-
-
-
-
E
=
5
4
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
R
=
9
5
1
R
9
9
9
-
-
-
3
-
-
-
-
-
9
O
=
6
6
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
R
=
9
7
1
R
9
9
9
-
-
-
3
-
-
-
-
-
9
U
=
3
8
1
U
21
3
3
-
-
-
3
-
-
7
-
-
-
M
=
4
9
1
M
13
4
4
-
-
-
-
4
7
-
-
-
-
-
-
48
9
-
138
48
48
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
M
=
4
10
1
M
13
4
4
-
-
-
-
4
7
-
-
-
-
Y
=
7
11
1
Y
25
7
7
-
-
-
-
-
-
-
7
8
-
S
=
1
12
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
7
-
-
-
E
=
5
13
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
R
=
9
14
1
R
9
9
9
-
-
-
3
-
-
-
-
-
9
I
=
9
15
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
A
=
1
16
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
-
-
38
17
-
110
47
38
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
86
4
17
MYSTERIA
110
47
38
-
-
-
-
-
-
-
-
-
-
-
-
8+6
-
1+7
NUMERORUM
138
48
48
-
-
-
-
-
-
-
-
-
-
-
-
14
-
8
First Total
248
95
86
-
2
2
6
12
15
6
7
8
36
-
-
1+4
-
-
Add to Reduce
2+4+8
9+5
8+6
-
-
-
-
1+2
1+5
-
-
-
3+6
-
-
5
-
8
Second Total
14
14
14
-
2
2
6
12
6
6
7
8
9
-
-
-
-
-
Reduce to Produce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
Q
-
5
-
8
Essence of Number
5
5
5
-
2
2
6
3
6
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
-
9
NUMERORUM
138
48
3
-
-
-
-
-
-
-
-
-
-
M
=
4
-
8
MYSTERIA
110
38
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
1
1
N
5
5
5
-
-
-
-
-
5
7
-
-
-
U
=
3
2
1
U
21
3
3
-
-
-
3
-
-
7
-
-
-
M
=
4
3
1
M
13
4
4
-
-
-
-
4
7
-
-
-
-
E
=
5
4
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
R
=
9
5
1
R
9
9
9
-
-
-
3
-
-
-
-
-
9
O
=
6
6
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
R
=
9
7
1
R
9
9
9
-
-
-
3
-
-
-
-
-
9
U
=
3
8
1
U
21
3
3
-
-
-
3
-
-
7
-
-
-
M
=
4
9
1
M
13
4
4
-
-
-
-
4
7
-
-
-
-
M
=
4
10
1
M
13
4
4
-
-
-
-
4
7
-
-
-
-
Y
=
7
11
1
Y
25
7
7
-
-
-
-
-
-
-
7
8
-
S
=
1
12
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
7
-
-
-
E
=
5
13
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
R
=
9
14
1
R
9
9
9
-
-
-
3
-
-
-
-
-
9
I
=
9
15
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
A
=
1
16
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
-
-
86
4
17
MYSTERIA
110
47
38
-
-
-
-
-
-
-
-
-
-
-
-
8+6
-
1+7
NUMERORUM
138
48
48
-
-
-
-
-
-
-
-
-
-
-
-
14
-
8
First Total
248
95
86
-
2
2
6
12
15
6
7
8
36
-
-
1+4
-
-
Add to Reduce
2+4+8
9+5
8+6
-
-
-
-
1+2
1+5
-
-
-
3+6
-
-
5
-
8
Second Total
14
14
14
-
2
2
6
12
6
6
7
8
9
-
-
-
-
-
Reduce to Produce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
Q
-
5
-
8
Essence of Number
5
5
5
-
2
2
6
3
6
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
-
9
NUMERORUM
138
48
3
-
-
-
-
-
-
-
-
-
-
M
=
4
-
8
MYSTERIA
110
38
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
12
1
S
19
10
1
-
1
-
-
-
-
-
-
8
-
A
=
1
16
1
A
1
1
1
-
1
-
-
-
-
-
-
8
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
7
-
8
-
U
=
3
2
1
U
21
3
3
-
-
-
3
-
-
7
-
8
-
U
=
3
8
1
U
21
3
3
-
-
-
3
-
-
7
-
8
-
M
=
4
3
1
M
13
4
4
-
-
-
-
4
7
-
-
8
-
M
=
4
9
1
M
13
4
4
-
-
-
-
4
7
-
-
8
-
M
=
4
10
1
M
13
4
4
-
-
-
-
4
7
-
-
8
-
N
=
5
1
1
N
5
5
5
-
-
-
-
-
5
7
-
8
-
E
=
5
4
1
E
5
5
5
-
-
-
-
-
5
7
-
8
-
E
=
5
13
1
E
5
5
5
-
-
-
-
-
5
7
-
8
-
O
=
6
6
1
O
15
6
6
-
-
-
-
-
-
6
8
8
-
Y
=
7
11
1
Y
25
7
7
-
-
-
-
-
-
-
7
8
-
R
=
9
5
1
R
9
9
9
-
-
-
3
-
-
-
-
8
9
R
=
9
7
1
R
9
9
9
-
-
-
3
-
-
-
-
8
9
R
=
9
14
1
R
9
9
9
-
-
-
3
-
-
-
-
8
9
I
=
9
15
1
I
9
9
9
-
-
-
3
-
-
-
-
8
9
-
-
86
4
17
MYSTERIA
110
47
38
-
-
-
-
-
-
-
-
-
-
-
-
8+6
-
1+7
NUMERORUM
138
48
48
-
-
-
-
-
-
-
-
-
-
-
-
14
-
8
First Total
248
95
86
-
2
2
6
12
15
6
7
8
36
-
-
1+4
-
-
Add to Reduce
2+4+8
9+5
8+6
-
-
-
-
1+2
1+5
-
-
-
3+6
-
-
5
-
8
Second Total
14
14
14
-
2
2
6
12
6
6
7
8
9
-
-
-
-
-
Reduce to Produce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
Q
-
5
-
8
Essence of Number
5
5
5
-
2
2
6
3
6
6
7
8
9

 

 

PLANET EARTH PLANT E PLANT
EARTH THE RA IS.
HEART EARTH TERAH THERA IS

 

 

F
=
6
-
3
FOR
39
21
3
E
=
5
-
5
EVERY
75
30
3
A
=
1
-
6
ACTION
62
26
8
T
=
2
-
5
THERE
56
29
2
I
=
9
-
2
IS
28
19
1
A
=
1
-
2
AN
15
6
6
E
=
5
-
5
EQUAL
56
20
2
A
=
1
-
3
AND
19
10
1
O
=
6
-
8
OPPOSITE
115
43
7
R
=
9
-
8
REACTION
85
40
4
-
-
45
4
46
First Total
550
244
37
-
-
4+5
-
4+6
Add to Reduce
5+5+0
2+4+4
3+7
Q
-
9
-
10
Second Total
10
10
10
-
-
-
4
1+0
Reduce to Deduce
1+0
1+0
1+0
-
-
9
5
1
Essence of Number
1
1
1

 

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
9
MULTIPLED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
57
First Total
995
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+7
Add to Reduce
9+9+5
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
12
Second Total
23
14
14
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+2
Reduce to Deduce
2+3
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
8
-
3
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

 

THE MIND OF MIN

 

 

 

THE DIVINE INVASION

Phillip K Dick 1981

The time you have waited for has come. The work is complete: the final world is here.

He has been transplanted and is alive.

Mysterious voice in the night

Page 36

"That night as he lay sleeping a voice said softly to him, Herbert, Herbert.'

He opened his eyes. Im not on standby,' he said, / Page 37 / thinking it was the mother ship. 'Dome Nine is active. Let me sleep.'

'Look,' the voice said.

He looked - and saw that his control board, which governed all his communications gear, was on fire. 'Jesus Christ,' he said, and reached for the wall switch, that would turn on the emergency fire extinguisher. But then he realized something. Something perplexing. Although the control board was burning, it was not consumed.

The fire dazzled him and burned his eyes. He shut his eyes and put his arm over his face. 'Who is it?' he said.

The voice said, 'It is Ehyeh.'

'Well,' Herb Asher said, amazed. It was the deity of the mountain, speaking to him openly, without an electronic interface. A strange sense of his own worthlessness overcame Herb Asher, and he kept his face covered. 'What do you want?' he said. 'I mean, it's late. This is my sleep cycle. '

'Sleep no more,' Yah said.

'I've had a hard day.' He was frightened.

Yah said, 'I command you to take care of the ailing girl. She is all alone. If you do not hasten to her side I will burn down your dome and all the equipment in it, as well as all you own besides. Iwill scorch you with flame until you wake up. You are not awake, Herbert, not yet, but 1 will cause you to be awake; I will make you rise up from your bunk and go and help her."

 

A
=
1
-
1
A
1
1
1
-
-
-
-
-
-
-
-
-
M
=
4
-
10
MYSTERIOUS
164
47
2
V
=
4
-
5
VOICE
54
27
9
I
=
9
-
2
IN
23
14
5
T
=
2
-
3
THE
33
15
6
N
=
5
-
5
NIGHT
58
31
4
-
-
25
4
26
Add to Reduce
333
135
27
-
-
2+5
-
2+6
Reduce to Deduce
3+3+3
1+3+5
2+7
Q
-
7
-
8
Essence of Number
9
9
9

 

GOD WITH US AND US WITH GOD

 

 

IN OUR TIME

Last broadcast on Thu, 18 Dec 2003, 21:30 on BBC Radio 4

"Melvyn Bragg and guests discuss the feat of astonishing intellectual engineering which provides us with millions of words in hundreds of languages. At the start of the twentieth century, in the depths of an ancient Egyptian turquoise mine on the Sinai peninsular, an archaeologist called Sir Flinders Petrie made an exciting discovery. Scratched onto rocks, pots and portable items, he found scribblings of a very unexpected but strangely familiar nature. He had expected to see the complex pictorial hieroglyphic script the Egyptian establishment had used for over 1000 years, but it seemed that at this very early period, 1700 BC, the mine workers and Semitic slaves had started using a new informal system of graffiti, one which was brilliantly simple, endlessly adaptable and perfectly portable: the Alphabet. This was probably the earliest example of an alphabetic script and it bears an uncanny resemblance to our own.

Did the alphabet really spring into life almost fully formed? How did it manage to conquer three quarters of the globe? And despite its Cyrillic and Arabic variations and the myriad languages it has been used to write, why is there essentially only one alphabet anywhere in the world?"

 

 

L
=
3
-
4
LIFE
50
23
5
Q
-
Q
Q
-
Q
-
Q
-
Q
-
Q
Q
-
Q
-
Q
-
I
=
9
-
3
IT'S
48
12
3
A
=
1
-
3
ALL
25
7
7
I
=
9
-
9
IN
23
14
5
T
=
2
-
3
THE
33
15
6
G
=
7
-
4
GOOD
41
23
5
B
=
2
-
4
BOOK
43
34
7
O
=
6
-
2
OF
21
12
3
-
-
36
4
21
Add to Reduce
234
117
36
-
-
3+6
-
2+1
Reduce to Deduce
2+5+2
1+1+7
3+6
Q
-
9
-
3
Essence of Number
9
9
9

 

 

4
HOLY
60
24
6
5
GRAIL
47
29
2
2
IS
28
10
1
11
Add to Reduce
135
63
9
1+1
Reduce to Deduce
1+3+5
6+3
-
2
Essence of Number
9
9
9

 

 

Daily Mail, Wednesday, May 11, 2016

Page 51

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

The trail of Christ's Grail

QUESTION What is the origin of the Holy Grail story?
What is a 'grail'?

ACCORDING to Grail legend, the Holy Grail was the cup (or platter, cauldron or stone) from which Jesus drank at the Last Supper and which Joseph of Arimathea later used to collect drops of Jesus's blood at the crucifixion. Legend has it that Joseph then brought the cup to Britain, where it was lost. The Holy Grail then became part of Arthurian legend.

It was believed to be kept in a mysterious castle in a wasteland, guarded by a custodian called the Fisher King, who suffered from a wound that would not heal. His recovery and the renewal of the blighted lands depended on the successful completion of the quest to find the Grail. The magical properties attributed to the Holy Grail have been plausibly traced to the 'horn of plenty' of Celtic myth that satisfied the tastes and needs of all who ate and drank from it.

The Holy Grail first appeared in a written text in Chretien de Troyes's Old French verse romance, Perceval, le Conte du Graal from about 1180. De Troyes claimed he received knowledge of the tale from a book from his patron Philip, Count of Flanders.

His prologue specifically implies this was his source, ending 'it is the story of the Grail of which the count gave him the book'. But there is speculation as to whether this book existed: 12th-century writers were sensitive to the charge they invented stories for which they had no `authority'.

During the next half-century, several works, both in verse and prose, were written about the quest for the Grail although the story, and the principal character, vary from one work to another.

The word graal, as it was historically spelled, comes from Old French graal or great, cognate with Old Provençal grazal and Old Catalan gresal, meaning a cup or bowl of earthenware, wood or metal.

The most commonly accepted etymology derives it from Latin gradalis or gradale via an earlier form, cratalis, a derivative of crater or cratus, borrowed from the Greek krater, a large wine-mixing vessel. The Grail myth was revived in the lath century by romantic authors Scott and Tennyson, Pre-Raphaelite artists, and composers, notably Richard Wagner.

The story has persisted in novels by Charles Williams, C. S. Lewis, John Cowper Powys, in Dan Brown's The Da Vinci Code and the Indiana Jones movies.
Eric Lowndes, Leamington Spa, Warwickshire.

 

THE

HOLY GRAIL

A

HOLY GIRL

IS

 

A
=
1
-
1
A
1
1
1
H
=
8
-
4
HOLY
60
24
6
G
=
7
-
4
GIRL
46
28
1
I
=
9
-
2
IS
28
10
1
-
-
25
-
11
Add to Reduce
135
63
9
-
-
2+5
-
1+1
Reduce to Deduce
1+3+5
6+3
-
-
-
7
-
2
Essence of Number
9
9
9

 

 

4
HOLY
60
24
6
5
GRAIL
47
29
2
2
IS
28
10
1
11
Add to Reduce
135
63
9
1+1
Reduce to Deduce
1+3+5
6+3
-
2
Essence of Number
9
9
9

 

 

1
A
1
1
1
4
HOLY
60
24
6
4
GIRL
46
28
1
2
IS
28
10
1
11
Add to Reduce
135
63
9
1+1
Reduce to Deduce
1+3+5
6+3
-
2
Essence of Number
9
9
9

 

 

THE

HOLY GRAIL

A

HOLY GIRL

IS

A

HOLY WOMANS WOMB

IS

 

H
=
8
-
4
HOLY
60
24
6
W
=
5
-
6
WOMANS
85
22
4
W
=
5
-
4
WOMB
53
17
8
-
-
18
-
14
First Total
198
63
18
-
-
1+8
-
1+4
Add to Reduce
1+9+8
6+3
1+8
-
-
9
-
5
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
9
-
5
Essence of Number
9
9
9

 

 

Daily Mail, Thursday, August 25, 2016

Page 64

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

QUESTION
If there were such a thing as animal IQ which would rate in the top ten?

THIS assumes a direct cognitive ladder, from lower to higher life forms, with our own intelligence at the top.

But cognition takes different forms, often incomparable to ours. Are we less intelligent than a squirrel because we can't recall the locations of buried acorns? Brain size, tool use, vocabulary and soci learning are just a few possible tools to measure animal IQ. There is no agreed test for measuring interspecies IQ.

One attempt to correlate animal IQ was made by Edward 0. Wilson, a professor of science at Harvard University's Museum of Comparative Zoology.

He explained his system thus: `I relied on the "encephalisation index", which measures the size of the brain relative to that of the body as a whole and has been shown to be roughly correlated with intelligence.' He arrived at a top ten of: 1. Chimpanzee; 2. Gorilla; 3. Orangutang; 4. Baboon; 5. Gibbon; 6. Monkey; 7. Orca; 8. Dolphin; 9. Elephant; and 10. Pig.

An alternate study looked at the concentration of neurones in the neocortex, the area involved in higher functions such as sensory perception, generation of motor commands, spatial reasoning, conscious thought, and in humans, language.

The result here gave a very different answer 1. Sperm Whale; 2. Humans; 3. Killer Whale; 4. Pilot Whale; 5. Humpback Whale; 6. Orangutang; 7. Chimpanzee.; 8. African Elephant; 9. Gorilla; and 10. Indian elephant.

Another test measured intelligence with regards to self-awareness: the experimenter discreetly marks the animal with a coloured dye.

The animal is then presented with a mirror and their reaction is observed. A self-aware animal will turn their body to get a better view, touch the coloured spot or try to remove it. Using this, ten animals demonstrated self-awareness. They were 1. Human, 2. Orangutang (below);
3. Chimpanzee; 4. Gorilla; 5. Bottlenose Dolphin; 6. Elephant; 7. Orca; 8. Bonobo; 9. Rhesus Macaque; and 10. European Magpie. There are many more tests of animal intelligence.

Other creatures thought to have high IQs are giant octopuses, which can play, solve problems, navigate through mazes and have a respectable short-term memory. African Grey parrots can mimic words and express emotion, and rats which have remarkable maze skills.
Dr Ian Smith, Cambridge.

 

 

Daily Mail, Thursday, August 25, 2016

Page 64

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

QUESTION

Which novel took the longest to complete?

THOMAS MANN was a Nobel Prize-winning German author famed for his novella Death In Venice (1912) and his magnum opus The Magic Mountain (1924). Between 1923 and 1943, he published his novel quartet Joseph And His Brothers, retelling the stories of Genesis. It took 16 years to write.

The Persian classic Kelidar by Mahmoud Dowlatabadi was published in 1984 in a single volume of 950,000 words in 2,836 pages. It told the story of a Kurdish family in Iran who face hostility from neighbours, set against a backdrop of the years following World War II.

It took 15 years to write, a year longer than Proust's 13-volume A La Recherche Du Temps Perdu (In Search Of Lost Time), which, at 1,267,069 words and 3,031 pages, is considered the longest novel by Guinness World Records.
Juliette Paria, South Leigh, Oxon.

 

 

T
=
2
-
3
THE
33
15
6
T
=
1
-
8
THOUSAND
102
30
3
A
=
1
-
3
AND
19
10
1
O
=
2
-
3
ONE
34
16
7
N
=
6
-
6
NIGHTS
77
32
5
-
-
12
4
23
First Total
265
103
22
-
-
1+2
-
2+3
Add to Reduce
2+6+5
1+0+3
2+2
Q
-
3
-
5
Second Total
13
4
4
-
-
-
-
-
Reduce to Deduce
1+3
-
-
Q
-
3
-
5
Essence of Number
4
4
4

 

 

A
=
1
-
3
ALI
22
13
4
B
=
2
-
4
BABA
6
6
6
A
=
1
-
3
AND
19
10
1
T
=
2
-
3
THE
33
15
6
F
=
6
-
5
FORTY
84
30
6
T
=
2
-
7
THIEVES
88
43
7
-
-
14
4
25
Add to Reduce
252
117
27
-
-
1+4
-
2+5
Reduce to Deduce
2+5+2
1+1+7
3+6
Q
-
5
-
7
Essence of Number
9
9
9

 

"Open Sesame" (Arabic: افتح يا سمسم‎‎ iftaḥ yā simsim, French: Sésame, ouvre-toi) is a magical phrase in the story of "Ali Baba and the Forty Thieves" in One Thousand and One Nights. It opens the mouth of a cave in which forty thieves have hidden a treasure

Ali Baba
From Wikipedia, the free encyclopedia

"Ali Baba and the Forty Thieves" redirects here. For other uses, see Ali Baba and the Forty Thieves.

Cassim in the cave by Maxfield Parrish (1909)
Ali Baba (Arabic: علي بابا‎‎ ʿAlī Bābā ) is a character from the folk tale Ali Baba and the Forty Thieves (علي بابا والأربعون لصا). This story is included in many versions of the One Thousand and One Nights, to which it was added by Antoine Galland in the 18th century. It is one of the most familiar of the "Arabian Nights" tales, and has been widely retold and performed in many media, especially for children, where the more violent aspects of the story are often suppressed.

In the story, Ali Baba is a poor woodcutter who discovers the secret of a thieves' den, entered with the phrase "Open Sesame". The thieves learn this and try to kill Ali Baba, but Ali Baba's faithful slave-girl foils their plots. Ali Baba gives his son to her in marriage and keeps the secret of the treasure.

Textual history[edit]

The tale was added to the story collection One Thousand and One Nights by one of its European translators, Antoine Galland, who called his volumes Les Mille et Une Nuits (1704–1717). Galland was an 18th-century French Orientalist who may have heard it in oral form from a Middle Eastern story-teller from Aleppo, in modern-day Syria. In any case, the first known text of the story is Galland's French version. Richard F. Burton included it in the supplemental volumes (rather than the main collection of stories) of his translation (published as The Book of the Thousand Nights and a Night) and thought its origins were Greek Cypriot.[1]

The American Orientalist Duncan Black MacDonald discovered an Arabic-language manuscript of the legend at the Bodleian Library;[2] however, this was later found to be a counterfeit.[3]

Story[edit]

Ali Baba and his elder brother Cassim are the sons of a merchant. After their father's death, the greedy Cassim marries a wealthy woman and becomes well-to-do, building on their father's business. Ali Baba marries a poor woman and settles into the trade of a woodcutter.

One day, Ali Baba is at work collecting and cutting firewood in the forest, and he happens to overhear a group of 40 thieves visiting their treasure store. The treasure is in a cave, the mouth of which is sealed by magic. It opens on the words "open sesame" and seals itself on the words "close sesame". When the thieves are gone, Ali Baba enters the cave himself and discreetly takes a single bag of gold coins home.

Ali Baba and his wife borrow his sister-in-law's scales to weigh their new wealth. Unbeknownst to them, Cassim's wife puts a blob of wax in the scales to find out what Ali Baba is using them for, as she is curious to know what kind of grain her impoverished brother-in-law needs to measure. To her shock, she finds a gold coin sticking to the scales and tells her husband. Under pressure from his brother, Ali Baba is forced to reveal the secret of the cave. Cassim goes to the cave, taking a donkey with him to take as much treasure as possible. He enters the cave with the magic words. But in his greed and excitement over the treasure, he forgets the words to get out again. The thieves find him there and kill him. When his brother does not come back, Ali Baba goes to the cave to look for him, and finds the body quartered and with each piece displayed just inside the cave's entrance, as a warning to anyone else who might try to enter.

Ali Baba brings the body home where he entrusts Morgiana, a clever slave-girl from Cassim's household, with the task of making others believe that Cassim has died a natural death.[4] First, Morgiana purchases medicines from an apothecary, telling him that Cassim is gravely ill. Then, she finds an old tailor known as Baba Mustafa whom she pays, blindfolds, and leads to Cassim's house. There, overnight, the tailor stitches the pieces of Cassim's body back together so that no one will be suspicious. Ali Baba and his family are able to give Cassim a proper burial without anyone's asking awkward questions.

The thieves, finding the body gone, realize that yet another person must know their secret, and they set out to track him down. One of the thieves goes down to the town and comes across Baba Mustafa, who mentions that he has just sewn a dead man's body back together. Realizing the dead man must have been the thieves' victim, the thief asks Baba Mustafa to lead the way to the house where the deed was performed. The tailor is blindfolded again, and in this state he is able to retrace his steps and find the house. The thief marks the door with a symbol so the other thieves can come back that night and kill everyone in the house. However, the thief has been seen by Morgiana who, loyal to her master, foils the thief's plan by marking all the houses in the neighborhood similarly. When the 40 thieves return that night, they cannot identify the correct house, and their leader kills the unsuccessful thief in a furious rage. The next day, another thief revisits Baba Mustafa and tries again. Only this time, a chunk is chipped out of the stone step at Ali Baba's front door. Again, Morgiana foils the plan by making similar chips in all the other doorsteps, and the second thief is killed for his failure as well. At last, the leader of the thieves goes and looks himself. This time, he memorizes every detail he can of the exterior of Ali Baba's house.

The leader of the thieves pretends to be an oil merchant in need of Ali Baba's hospitality, bringing with him mules loaded with 38 oil jars, one filled with oil, the other 37 hiding the other remaining thieves. Once Ali Baba is asleep, the thieves plan to kill him. Again, Morgiana discovers and foils the plan, killing the 37 thieves in their oil jars by pouring boiling oil on them. When their leader comes to rouse his men, he discovers they are all dead and escapes. The next morning, Morgiana tells Ali Baba about the thieves in the jars. They bury them, and Ali Baba shows his gratitude by giving Morgiana her freedom.

To exact revenge after some time, the leader of the thieves establishes himself as a merchant, befriends Ali Baba's son (who is now in charge of the late Cassim's business), and is invited to dinner at Ali Baba's house. However, the thief is recognized by Morgiana, who performs a sword dance with a dagger for the diners and plunges it into the thief's heart, when he is off his guard. Ali Baba is at first angry with Morgiana, but when he finds out the thief wanted to kill him, he is extremely grateful and rewards Morgiana by marrying her to his son. Ali Baba is then left as the only one knowing the secret of the treasure in the cave and how to access it.

 

It opens on the words "open sesame" and seals itself on the words "close sesame".

 

-
Q
-
Q
-
OPEN SES A ME
-
Q
-
O
=
6
-
4
OPEN
50
23
5
S
=
1
-
3
SES
43
25
7
A
=
1
-
1
A
1
1
1
M
=
4
-
2
ME
18
9
9
-
-
12
4
10
OPEN SES A ME
112
58
22
-
-
1+2
-
1+0
-
1+1+2
5+8
2+2
Q
-
3
-
1
OPEN SES A ME
4
13
4
-
-
-
-
-
-
-
1+3
-
Q
-
3
-
1
OPEN SES A ME
4
4
4

 

OPEN SAYS ME CLOSE SAYS ME

 

-
Q
-
Q
-
CLOSE SES A ME
-
Q
-
C
=
3
-
5
CLOSE
54
18
9
S
=
1
-
3
SES
43
25
7
A
=
1
-
1
A
1
1
1
M
=
4
-
2
ME
18
9
9
-
-
12
4
11
CLOSE SES A ME
116
53
26
-
-
1+2
-
1+1
-
1+1+6
5+3
2+6
Q
-
3
-
2
CLOSE SES A ME
8
8
8

 

It opens on the words "open sesame" and seals itself on the words "close sesame".

 

O
=
6
4
10
OPEN SES A ME
112
58
4
C
-
3
4
11
CLOSE SES A ME
116
53
8
Q
-
9
-
22
First Total
228
111
12
-
-
-
-
2+2
Add to Reduce
2+2+8
1+1+1
1+2
Q
-
9
-
4
Second Total
12
3
3
-
-
-
-
-
Reduce to Deduce
1+2
-
-
Q
-
9
-
4
Essence of Number
3
3
3

 

SEES SAME SEES

ASK ALADDIN ASK

 

-
-
-
-
-
ALADDIN
-
-
-
A
=
1
-
1
A
1
1
1
L
=
3
-
1
L
12
3
3
A
=
1
-
1
A
1
1
1
D
=
4
-
1
D
4
4
4
D
=
4
-
1
D
4
4
4
I
=
9
-
1
I
9
9
9
N
=
5
-
1
N
14
5
5
4
4
27
4
7
ALADDIN
45
27
27
-
-
2+7
-
-
-
1+4+4
2+7
2+7
-
-
9
-
7
ALADDIN
9
9
9

 

Aladdin
From Wikipedia, the free encyclopedia

This article is about the original Middle Eastern folk tale. For other uses, see Aladdin (disambiguation) and Aladdin (name).
"Magic lamp" redirects here. For other uses, see Magic lantern (disambiguation).

Aladdin in the Magic Garden, an illustration by Max Liebert from Ludwig Fulda's Aladin und die Wunderlampe[1] (image omitted)
Aladdin (Arabic: علاء الدين‎‎, ʻAlāʼ ad-Dīn, IPA: [ʕalaːʔ adˈdiːn]) is a Middle Eastern folk tale. It is one of the tales in The Book of One Thousand and One Nights ("The Arabian Nights"), and one of the best known—though it was actually added to the collection in the 18th century by Frenchman Antoine Galland.

Aladdin is an impoverished young ne'er-do-well dwelling in "one of the cities of China". He is recruited by a sorcerer from the Maghreb, who passes himself off as the brother of Aladdin's late father, Mustapha the tailor, convincing Aladdin and his mother of his good will by pretending to set up the lad as a wealthy merchant. The sorcerer's real motive is to persuade young Aladdin to retrieve a wonderful oil lamp from a booby-trapped magic cave. After the sorcerer attempts to double-cross him, Aladdin finds himself trapped in the cave. Fortunately, Aladdin is still wearing a magic ring the sorcerer has lent him. When he rubs his hands in despair, he inadvertently rubs the ring and a jinnī (or "genie") appears who releases him from the cave so that he can return to his mother, fortunately still carrying the lamp. When his mother tries to clean the lamp, so they can sell it to buy food for their supper, a second far more powerful genie appears who is bound to do the bidding of the person holding the lamp.

With the aid of the genie of the lamp, Aladdin becomes rich and powerful and marries Princess Badroulbadour, the sultan's daughter (after magically foiling her marriage to the vizier's son). The genie builds Aladdin and his bride a wonderful palace, far more magnificent than the sultan's.

The sorcerer hears of Aladdin's good fortune, and returns; he gets his hands on the lamp by tricking Aladdin's wife (who is unaware of the lamp's importance) by offering to exchange "new lamps for old." He orders the genie of the lamp to take the palace, along with all its contents, to his home in the Maghreb. Fortunately, Aladdin still has the magic ring and is able to summon the lesser genie. The genie of the ring cannot directly undo any of the magic of the genie of the lamp, but he is able to transport Aladdin to the Maghreb where, with the help of the "woman's wiles" of the princess he recovers the lamp and slays the sorcerer, returning the palace to its proper place.

The sorcerer's more powerful and evil brother plots to destroy Aladdin for killing his brother by disguising himself as an old woman known for her healing powers. Badroulbadour falls for his disguise and commands the "woman" to stay in her palace in case of any illnesses. Aladdin is warned of this danger by the genie of the lamp and slays the imposter. Everyone lives happily ever after, Aladdin eventually succeeding to his father-in-law's throne.

Sources and setting[edit]

No Arabic source has been traced for the tale, which was incorporated into the book Les Mille et Une Nuits by its French translator, Antoine Galland, who heard it from a Syrian storyteller from Aleppo. Galland's diary (March 25, 1709) records that he met the Maronite scholar, by name Youhenna Diab ("Hanna"), who had been brought from Aleppo to Paris by Paul Lucas, a celebrated French traveller. Galland's diary also tells that his translation of "Aladdin" was made in the winter of 1709–10. It was included in his volumes ix and x of the Nights, published in 1710.

John Payne, in Aladdin and the Enchanted Lamp and Other Stories (London 1901), gives details of Galland's encounter with the man he referred to as "Hanna" and the discovery in the Bibliothèque Nationale in Paris of two Arabic manuscripts containing Aladdin (with two more of the "interpolated" tales). One was written by a Syrian Christian priest living in Paris, named Dionysios Shawish, alias Dom Denis Chavis. The other is supposed to be a copy Mikhail Sabbagh made of a manuscript written in Baghdad in 1703. It was purchased by the Bibliothèque Nationale at the end of the nineteenth century. However, modern scholars such as Muhsin Mahdi[2] and Husain Haddawy[3] claim that both manuscripts are forgeries—"back-translations" of Galland's text into Arabic.

The opening sentences of the story, in both the Galland and the Burton versions, set it in China and imply, at least, that Aladdin is Chinese.[4] On the other hand, there is practically nothing in the rest of the story that is inconsistent with a Persian or Arabian setting. For instance, the Sultan is referred to as such rather being called the "Emperor", as in some re-tellings, and the people we meet in the story are Muslims: their conversation is larded with devout Muslim platitudes. A Jewish merchant buys Aladdin's wares (and incidentally cheats him), but there is no mention of Buddhists or Confucians (or other distinctively Han Chinese people).

Of course, China's ethnic makeup has long included Muslim groups, including large populations of the Hui people whose origins go back to Silk Road travellers. In addition, large communities of Muslim Chinese have been known since the Tang Dynasty, as well as Jewish communities. Some commentators have even suggested that the story might be set in Turkestan (encompassing Central Asia and the modern Chinese province of Xinjiang).[5]

For all this, speculation about a "real" Chinese setting depends on a knowledge of China that the teller of a folk tale (as opposed to a geographic expert) might well not possess.[6]

 

HALLELUJAH HURRAH FOR RAH FOR RAH HURRAH HALLELUJAH

 

 

EGYPTIAN CHRONOLOGY

THE MYTHIC DYNASTIES

F. G. Fleay

1899

Page 93

GODS MEMPHITE SCHEME

"PTAH reigned for 9000 months"

 

 

YEA

THOUGH I WALK THROUGH

THE

VALLEY OF THE SHADOW OF DEATH

I

WILL FEAR NO EVIL FOR THOU ART WITH

ME

ALWAYS

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT

PLANETS STARS AND LIFE

Page 24

A

proton

is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'

 

 

I

OSIRIS

UNAS OSIRIS AM I AM OSIRIS UNAS

AM

I

SOKAR OSIRIS AM I AM OSIRIS SOKAR

AM

I

I THAT AM THAT THAT THAT ISISISIS THAT THAT THAT AM THAT I

 

 

O

NAMUH

WHEN SHALL WE C THY LIKE AGAIN

 

 

I

ME

EGO

OGRE

CONSCIENCE

NAME ME I ME NAME

ME

AMEN

I

MEAN NAME THAT NAME MEAN

 

 

-
-
-
-
-
THE HOLY NAME
-
-
-
T
=
2
-
3
THE
33
15
6
H
=
8
-
4
HOLY
60
24
6
N
=
5
-
4
NAME
33
15
6
-
-
15
-
11
THE HOLY NAME
126
54
18
-
-
1+5
-
1+1
-
1+2+6
5+4
1+8
-
-
6
-
2
THE HOLY NAME
9
9
9

 

 

-
-
-
-
-
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-
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-
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1
2
3
4
5
6
7
8
9
T
=
2
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THE
33
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6
-
-
-
-
-
-
-
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H
=
8
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4
HOLY
60
24
6
-
-
-
-
-
-
-
-
-
-
N
=
5
-
4
NAME
33
15
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
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1
2
3
4
5
6
7
8
9
-
-
-
-
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THE
-
-
-
-
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-
-
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=
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8
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8
8
8
-
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8
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=
5
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5
5
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-
-
-
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-
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15
-
3
THE
33
15
15
-
-
-
-
-
-
-
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-
-
-
-
-
-
-
HOLY
-
-
-
-
-
-
-
-
-
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-
-
-
H
=
8
-
1
H
8
8
8
-
-
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-
8
-
O
=
6
-
1
O
15
6
6
-
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6
-
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-
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=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
Y
=
7
-
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
-
-
24
-
4
HOLY
60
24
24
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
NAME
-
-
-
-
-
-
-
-
-
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
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4
-
-
-
-
-
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=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
15
-
4
NAME
33
15
15
-
1
2
3
4
15
6
7
16
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1+5
-
-
1+6
-
-
-
54
-
11
THE HOLY NAME
126
54
54
-
1
2
3
4
6
6
7
7
9
-
-
5+4
-
1+1
-
1+2+6
5+4
5+4
-
-
-
-
-
-
-
-
-
-
-
9
-
2
THE HOLY NAME
9
9
9
-
1
2
3
4
6
6
7
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
-
11
THE HOLY NAME
126
54
54
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
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=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
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H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
Y
=
7
-
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
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=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
54
-
11
THE HOLY NAME
126
54
54
-
1
2
3
4
15
6
7
16
9
-
-
5+4
-
1+1
-
1+2+6
5+4
5+4
-
-
-
-
-
1+5
-
-
1+6
-
-
9
-
2
THE HOLY NAME
9
9
9
-
1
2
3
4
6
6
7
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
-
11
THE HOLY NAME
126
54
54
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
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=
4
-
1
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13
4
4
-
-
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4
-
-
-
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=
5
-
1
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5
5
5
-
-
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5
-
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5
-
1
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5
5
5
-
-
-
-
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5
-
-
-
-
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=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
Y
=
7
-
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
-
-
54
-
11
THE HOLY NAME
126
54
54
-
1
2
3
4
15
6
7
16
9
-
-
5+4
-
1+1
-
1+2+6
5+4
5+4
-
-
-
-
-
1+5
-
-
1+6
-
-
9
-
2
THE HOLY NAME
9
9
9
-
1
2
3
4
6
6
7
7
9

 

...

 

 

I

I 9 I

ME

ME 45 EM

EGO 576 EGO

OGRE 6795 OGRE

CONSCIENCE 3651395535 CONSCIENCE

DIVINE THOUGHT GODS THOUGHT DIVINE

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

 

 

NAME ME I ME NAME

ME

AMEN

I MEAN NAME THAT NAME MEAN

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

....

ADDED TO ALL MINUS NONE SHARED BY EVERYTHING MULTIPLIED IN ABUNDANCE.

 

 

I

AM

WHOLE SOURCE AM I 9 I AM WHOLE SOURCE

AM

I

 

 

OSIRIS SO IRIS OSIRIS

SO IR IS IS IR SO

ISIS IS IS ISIS

OSIRIS SO IRIS OSIRIS

 

 

DIVINE LOVE IS 99 99 IS LOVE DIVINE

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SUN

OSIRIS SO RI IS THAT SUNSETSUN IS RI SO OSIRIS

OSIRIS ISISISIS OSIRIS

BIRTHING THE NEW HORUS NEW THE BIRTHING

OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SUN

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

 

THIS IS THE SCENE OF THE SEEN UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SEEN.

THE WHITE RABBITZ MAKING RARE APPEARANCE, SAID, ALIZZED, WE MUST NOW SAY OUR GOODBYES. THE COCOON FOR YOU IS ABOUT TO UNRAVEL, THE SPIRIT SPIRAL TO REVERSE UPON ITSELF. TIME IS OF THE ESSENCE, FROM A TIME WITHOUT TIME, IT IS TIME TO ENTER UPON THE ADVENTURE OF AN ANYBODIES LIFETIME. THERE IS A LABYRINTH TO EXPLORE, THE MAGIC MOUNTAIN TO ASCEND AND MUCH ONCE SECRET AND PERILOUS AWAKENING LIES AHEAD. TAKE THIS GOLDEN RAINBOW BALL OF TWINE, HANG IT UPON YOUR HOOK OR BY CROOK. AND NO MATTER THE TWISTS AND TURNS ENCOMPASSED IN THE THIS AND THAT OF YOUR JOURNEY, REMEMBER, THAT ONCE INSIDE THE EVER NEVER LAND OF GREAT AMAZE, YOU MUST HOLD FAST THY MEANS OF RETURN, FOR THEE, THY COMPANIONS IN KIND, THE FAR YONDER SCRIBE, AND SUCH AS THOSE THAT WITHIN THE PRESENT OF THE FUTURE PAST, WILL SHADOW THEE ON THY BLESSED WAY.

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1875 -1955

Page 466

"HAD NOT THE NORMAL, SINCE TIME WAS, LIVED ON THE ACHIEVEMENTS OF THE ABNORMAL?

MEN CONSCIOUSLY AND VOLUNTARILY DESCENDED INTO DISEASE AND MADNESS, IN SEARCH OF

KNOWLEDGE WHICH AQUIRED BY FANATICISM, WOULD LEAD BACK TO HEALTH; AFTER THE

POSSESSION AND USE OF IT HAD CEASED TO BE CONDITIONED BY THAT HEROIC AND ABNORMAL

ACT OF SACRIFICE. THAT WAS THE TRUE DEATH ON THE CROSS, THE TRUE ATONEMENT."

 

AT ONE MENTALLY MENTALLY AT ONE

 

 

THE DEAD SEA SCROLLS

J. M. Allegro 1956

Page 152

"IN THAT DAY I WILL RAISE UP THE TABERNACLE OF DAVID THAT IS FALLEN"

 

IS

KRISHNA SHIVA VISHNU VISHNU SHIVA KRISHNA

IS

 

 

ZE US US ZE

C ZEUS C

C RHEA C

HEAR US C US HEAR

ZEUS SEE US US SEE ZEUS

 

 

THE HOURS OF HORUS NOW IS R IS NOW THE HORUS OF HOURS

 

 

RA AR R RA AR

IS RA EL EL IS RA

IS REAL REAL IS

REAL REALITY REVEALED REALITY REAL IS

 

 

EARTH HEART R HEAT R HEART EARTH

EARTH HEART EARTH THERA TERAH

 

 

SELF E FEELS E SELF

 

-
-
-
-
-
SELF E FEELS
-
-
-
S
=
1
-
4
SELF
42
15
6
E
=
5
-
1
E
5
5
5
F
=
6
-
5
FEELS
47
20
2
-
-
12
-
10
SELF E FEELS
94
40
13
-
-
1+2
-
1+0
-
9+4
4+0
1+3
-
-
3
-
1
SELF E FEELS
13
4
4
-
-
-
-
-
-
1+3
-
-
-
-
3
-
1
SELF E FEELS
9
4
8

 

 

I

NAME MAN E MAN NAME

 

-
-
-
-
-
NAME
-
-
-
M
=
4
-
3
MAN
42
15
6
E
=
5
-
1
E
5
5
5
-
-
9
-
4
NAME
47
20
11
-
-
-
-
-
-
4+7
2+0
1+1
-
-
9
-
4
NAME
11
2
2
-
-
-
-
-
-
1+1
-
-
-
-
3
-
1
NAME
2
2
2

 

 

 

I

INCA

THE SON OF THE SUN

I

9531

THE SON OF THE SUN

I

9

THE SON OF THE SUN

I

9

 

 

ANUS RA'S ARS ARS RA'S ANUS

ANUS UR RU ANUS

ANU 153 ANU

153 ANU 153

ANU 153 ANU

ANUS A SUN A SUN ANUS

URANUS UR A SUN A SUN R U URANUS

 

 

SPINE PENIS IS IS PENIS SPINE

VAGINA V AGAIN AGAIN V VAGINA

MENSTRUATE MENS TRU-E HATE TRU-E MENS MENSTRUATE

MENOPAUSE MEN O PAUSE PAUSE O MEN MENOPAUSE

 

 

A

LINE A NILE A LINE

 

 

ALIEN IS IS ALIEN

 

 

ANUBIS A NUMBER IS IS A NUMBER ANUBIS

 

 

R U SOL SOL U R

SOUL SO U LIVE SOUL SO U LEARN SOUL SO U LOVE

R U SOL SOL U R

 

 

ABRAHAM A BRAHMAN IS IS ABRAHAM A BRAHMAN

 

 

SOLOMON SOL MOON MOON SOL SOLOMON

 

 

JERUSALEM JESU MALES R R MALES JESU JERUSALEM

JERU-SALEM MALES JERU-SALEM

 

SOLOMON = SOL MOON = SOLOMON

 

MARY Y RAM MARY MARY Y RAM MARY

 

ISHMAEL IS HE MALE MALE IS HE ISHMAEL

 

ISHI TELL IRISH RISHI HOW MANY FISH WERE CAUGHT AT GALILEE

 


Miraculous catch of fish - Wikipedia, the free encyclopedia

wikipedia.org/wiki/Miraculous_catch_of_fish

The miraculous catch of fish or more traditionally the Miraculous Draught of Fish/es, is either of two miracles attributed to Jesus in the Canonical gospels. The miracles are reported as taking place years apart from each other, but in both miracles apostles are fishing unsuccessfully in the Sea of Galilee .... having been offered (see the discussion on the number 153 in the Bible).
John 21:11
"Simon Peter climbed back into the boat and dragged the net ashore. It was full of 153 large fish, but even with so many the net was not torn".
This has become known popularly as the "153 fish" miracle. Gospel of John,[5] seven of the disciples—Peter, Thomas, Nathanael, the sons of Zebedee (James and John), and two others – decided to go fishing one evening after the Resurrection of Jesus, but caught nothing that night. Early the next morning, Jesus (whom they had not recognised) called out to them from the shore:
"Friends, haven't you any fish?"[5]
When they reply in the negative (the question in Greek uses a particle which expects the answer "No"),[10][11] Jesus responds: "Throw your net on the right side of the boat and you will find some".[5] After doing so, "they were unable to haul the net in because of the large number of fish".[5]

Realising the identity of their advisor, the disciple whom Jesus loved said to Peter, "It is the Lord!"[5] at which Peter jumped into the water to meet him (an aspect of the story often illustrated in Christian art), while the remaining disciples followed in the boat, towing the net, which proved to be full of 153 large fish.[5]

This passage has traditionally been one of the liturgical readings following Easter, and sermons have been preached on it by Augustine of Hippo[12] and John Chrysostom,[13] among others.

153 fish[edit]

The precision of the number of fish as 153 has long been considered, and various writers have argued that the number 153 has some deeper significance, with many conflicting theories having been offered (see the discussion on the number 153 in the Bible). Discussing some of these theories, theologian D. A. Carson suggests that "If the Evangelist has some symbolism in mind connected with the number 153, he has hidden it well,"[14] while other scholars note "No symbolic significance for the number of 153 fish in John 21:11 has received widespread support".[15]

References to aspects of the miracle, or to the general idea of being "fishers of men," can sometimes be recognised by uses of the number 153. For example, St Paul's School in London was founded in 1512 by John Colet to teach 153 poor men's children: although the school is now considerably larger, it still has 153 Foundation Scholars, who since the 19th century have worn a fish emblem on their watch-chains, or, more recently, in their button-holes.[16][17]

In Iamblichus' Life of Pythagoras, a tale is mentioned in which Pythagoras, while journeying from Sybaris to Crotona, is said to have met some fishermen, who were drawing their net heavily laden to the shore, and he told them the exact number of fish they caught. In this reference, the exact number is not mentioned.

 

"It was full of 153 large fish, but even with so many the net was not torn"

 

 

153' x 12" = 1836 = 12' x 153"

THE LENGTH OF THE GRAND GALLERY IN THE DREAT PYRAMID OF GIZA

 

 

HARMONIC 288

Bruce Cathie

1977

EIGHT

THE MEASURE OF LIGHT


Page 95
"The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities."

Page 95

"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being 1836 inches,"

Page 95/97

"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / ratio of the positive hydrogen ion, i.e. the proton, to the electron."

 

THE FUTURE OF THE MIND

THE SCIENTIFIC QUEST TO UNDERSTAND, ENHANCE AND EMPOWER THE MIND

Michio Kaku 2015

THE MIND AS PURE ENERGY

Page 294

CARL SAGAN ONCE LAMENTED THE POSSIBILITY THAT WE MIGHT LIVE IN A WORLD SURROUNDED BY ALIEN CIVILIZATIONS AND NOT HAVE THE TECHNOLOGY TO REALIZE IT.

THEN THE NEXT QUESTION IS: WHAT LURKS IN THE ALIEN MIND? IF WE WERE TO ENCOUNTER SUCH AN ADVANCED CIVILIZATION WHAT KIND OF CONSCIOUSNESS MIGHT IT HAVE?
ONE DAY THE DESTINY OF THE HUMAN RACE MAY REST ON ANSWERING THAT QUESTION.

 

 

COSMIC COMICS

 

Carl Sagan - RationalWiki

rationalwiki.org/wiki/Carl_Sagan
Carl Sagan (1934–1996) was an American astronomer who did much to ... quote from his famous novel Contact about "an intelligence that antedates the universe" .... is much bigger than our prophets said, grander, more subtle, more elegant!

 

T
=
2
-
3
THE
33
15
6
C
=
3
-
6
COSMOS
84
21
3
-
-
5
-
9
Add to Reduce
117
36
9
-
-
-
-
-
Reduce to Deduce
1+1+7
3+6
-
-
-
5
-
9
Essence of Number
9
9
9



“”The Cosmos is all that is, or ever was, or ever will be. Our contemplations of the Cosmos stir us — there is a tingling in the spine, a catch in the voice, a faint sensation as if a distant memory, of falling from a great height. We know we are approaching the grandest of mysteries.

—Carl Sagan, Cosmos[1]

Carl Sagan (1934–1996) was an American astronomer who did much to popularize science, especially astronomy, during his illustrious career. He co-wrote and presented Cosmos: A Personal Voyage, a television series that kicked ass. His legacy lies mostly in his advancement of humanism. He found a profound spirituality in experiencing the wonder and majesty of the universe.

He is known for remarking how people were made of "star stuff."

Carl Sagan Quotes (Author of Contact) - Goodreads

https://www.goodreads.com/author/quotes/10538.Carl_Sagan
882 quotes from Carl Sagan: 'Somewhere, something incredible is waiting to be ... is much bigger than our prophets said, grander, more subtle, more elegant?

 

 

HymnSite.com's Suggested Hymns for Trinity Sunday (Year C) www.hymnsite.com/lection/cpe02.htm

... come to mind: all encompassing light; streets of gold; crystal seas; perfection. ... This week's featured hymn is attributed to Pope Gregory the Great (540-604).

A
=
1
-
3
ALL
25
7
7
E
=
5
-
12
ENCOMPASSING
135
54
9
L
=
3
-
5
LIGHT
56
29
2
-
-
9
-
20
Add to Reduce
216
90
18
-
-
-
-
2+0
Reduce to Deduce
2+1+6
9+0
1+8
-
-
9
-
2
Essence of Number
9
9
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LIGHT
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ENCOMPASSING
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ALL
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
-
-
7
-
3
ENCOMPASSING
25
7
7
-
-
-
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
C
=
3
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
-
-
54
-
12
LIGHT
135
72
54
-
-
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
-
-
29
-
5
ALL
56
29
29
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ENCOMPASSING
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
LIGHT
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
90
-
20
Add to Reduce
216
108
90
-
4
2
12
4
15
6
21
8
18
-
-
9+0
-
2+0
Reduce to Deduce
2+1+6
1+0+8
9+0
-
-
-
1+2
-
1+5
-
2+1
-
1+8
-
-
9
-
2
Essence of Number
9
9
9
-
4
2
3
4
6
6
3
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LIGHT
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ENCOMPASSING
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ALL
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
C
=
3
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
ALL
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ENCOMPASSING
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
LIGHT
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
90
-
20
Add to Reduce
216
108
90
-
4
2
12
4
15
6
21
8
18
-
-
9+0
-
2+0
Reduce to Deduce
2+1+6
1+0+8
9+0
-
-
-
1+2
-
1+5
-
2+1
-
1+8
-
-
9
-
2
Essence of Number
9
9
9
-
4
2
3
4
6
6
3
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LIGHT
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ENCOMPASSING
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ALL
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
C
=
3
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
ALL
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ENCOMPASSING
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
LIGHT
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
90
-
20
Add to Reduce
216
108
90
-
4
2
12
4
15
6
21
8
18
-
-
9+0
-
2+0
Reduce to Deduce
2+1+6
1+0+8
9+0
-
-
-
1+2
-
1+5
-
2+1
-
1+8
-
-
9
-
2
Essence of Number
9
9
9
-
4
2
3
4
6
6
3
8
9

 

 

A
=
1
-
3
ALL
25
7
7
E
=
5
-
12
ENCOMPASSING
135
54
9
L
=
3
-
5
LIGHT
56
29
2
-
-
9
-
20
Add to Reduce
216
90
18
-
-
-
-
2+0
Reduce to Deduce
2+1+6
9+0
1+8
-
-
9
-
2
Essence of Number
9
9
9

V
=
1
-
7
VISIBLE
78
42
6
I
=
5
-
9
INVISIBLE
101
47
2
I
=
3
-
11
INDIVISIBLE
114
60
6
-
-
9
-
27
First Total
293
149
14
-
-
-
-
2+7
Add to Reduce
2+9+3
1+4+9
1+4
-
-
9
-
9
Second Total
14
14
5
-
-
-
-
2+7
Reduce to Deduce
1+4
1+4
1+4
-
-
9
-
9
Essence of Number
5
5
5

 

 

I NAME THEE E MAN E MAN I NAME THEE

I NAME THEE 5 MAN 5 MAN I NAME THEE

 

 

DECIPHER

MANKIND HAD 1200 YEARS YEARS

TO CRACK THE CODE WE HAVE

ONE WEEK LEFT

Stel Pavlou

Page 357

24 hours

"We live in a universe of patterns. Every night the stars move in circles across the sky. The seasons cycle at yearly intervals. No two snowflakes are ever exactly the same, but the all have sixfold symmetry. Tigers and zebras are covered in patterns of stripes; leopards and hyenas are covered in pat terns of spots. Intricate trains of waves march across the oceans; very similar trains of sand dunes march across the desert . . . By using mathematics... we have discovered great secret: nature's patterns are not just there to be admired, they are vital clues to the rules that govern natural processes."

Ian Stewart, Nature's Numbers, 1995

 

 

THOSE PATENT PATIENT PATTERN MAKERS

 

 

AND DNA AND DNA AND DNA AND DNA AND

 

INDIA I AND I INDIA

 

HALAL ALLAH HALAL

TEAM TAME MEAT TAME TEAM

 

 

EAT TEA TEA EAT

TEAT TAKE IT EAT IT TAKE TEAT

 

 

FELT HAND LEFT HAND

FELT RIGHT FELT

 

 

EROS ROSE IS SORE IS ROSE EROS

 

 

MOUTH IS O IS MOUTH

 

 

BUDDHA BUD HAD HAD BUD BUDDHA

HASHISH HAS ISH HAS ISH HAS HASHISH

IRISH HASHISH RISHI IS THAT IS IS THAT IS RISHI HASHISH IRISH

 

 

THREAD R DEATH R THREAD

IM-MORTAL AM I AM MORTAL-IM

IMMORTAL AM I AM IMMORTAL

IMMORTAL ART THOU ART IMMORTAL

 

 

Nature's Numbers
Ian Stewart 1995

Numerology is the easiest-and consequently the most dangerous-method for finding patterns. It is easy because anybody can do it and dangerous for the same reason. The difficulty lies in distinguishing significant numerical patterns from accidental ones. Here's a case in point. Kepler was fascinated with patterns in nature, and he devoted much of his life to looking for them in the behaviour of the planets. He devised a simple and tidy theory for the existence of precisely six planets (in his time only Mercury, Venus, Earth, Mars, Jupiter, and Saturn were known). He also discovered a very strange pattern relating the orbital period of a / planet- the time it takes to go once around the Sun-to its distance from the Sun. Recall that the square of a number is what you get when you multiply it by itself: for example, the square of 4 is 4 x 4 = 16. Similarly, the cube is what you get when you multiply it by itself twice: for example, the cube of 4 is 4 x 4 x 4 = 64. Kepler found that if you take the cube of the distance of any planet from the Sun and divide it by the square of its orbital period, you always get the same number. It was not an especially elegant number, but it was the same for all six planets.

Which of these numerological observations is the more significant? The verdict of posterity is that it is the second one, the complicated and rather arbitrary calculation with squares and cubes. This numerical pattern was one of the key steps towards Isaac Newton's theory of gravity, which has explained all sorts of puzzles about the motion of stars and planets. In contrast, Kepler's neat, tidy theory for the number of planets has been buried without trace. For a start it must have been wrong, because we now know of nine planets, not six. There could be even more, farther out from the Sun, and small enough to be undetectable But more important, we no longer expect to find a neat, tidy theory for the number of planets. We think that the Solar System condensed from a cloud of gas surrounding the Sun, and the number of planets presumably depended on the amount of matter in the gas cloud, how it was distributed, and how fast and in what directions it was moving. An equally plausible gas cloud could have given us eight planets, or eleven; the number is accidental, depending on the initial conditions of the gas cloud, rather than universal, reflecting a general law of nature"

Page 6

" The big problem with numerological pattern-seeking is that it generates millions of accidentals for each universal. Nor is it always obvious which is which. For example, there are three stars, roughly equally spaced and in a straight line, in the belt of the constellation Orion. Is that a clue to a significant law of nature?
Here's a similar question. Io, Europa, and Ganymede are three of Jupiter's larger satellites. They orbit the planet in , respectively, 1.77, 3.55, and 7.16 days. Each of these numbers is almost exactly twice the previous one. Is that a significant pattern? Three stars in a row, in terms of orbital period. Which pattern if either, is an important clue..."
    "… In addition to numerical patterns there are geometric ones…"
    "… Until recently the main shapes that appealed to mathematicians were very simple ones: triangles, squares, pen / Page 7 /tagons, hexagons, circles, ellipses, spirals, cubes, spheres, cones, and so on. All of these shapes can be found in nature, although some are far more common, or more evident, than others. The rainbow, for example, is a collection of circles, one for each colour. We don't normally see the entire circle just an arc; but rainbows seen from the air can be complete circles. You also see circles in the ripples on a pond, in the human eye, and on butterflies wings.
         Talking of ripples, the flow of fluids provides an inexhaustible supply of nature's patterns. There are waves of many different kinds-surging toward a beach in parallel ranks, spreading in a V-shape behind a moving boat, radiating outward from an underwater earthquake…"
"…There are swirling spiral whirlpools and tiny vortices. And there is the apparently structureless, random frothing of turbulent flow, one of the great enigmas of mathematics and physics. There are similar patterns in the atmosphere, too, the most dramatic being the vast spiral of a hurricane…"
    "…There are also wave patterns on land. The most strikingly mathematical landscapes on Earth are to be found in the great ergs, or sand oceans, of the Arabian and Sahara deserts. Even when the wind blows steadily in a fixed direction, sand dunes form. The simplest pattern is that of transverse dunes, which-just like ocean waves-line up in parallel straight rows at right angles to the prevailing wind direction. Sometimes the rows themselves become wavy in which case they are called barchanoid ridges; sometimes they break up into / Page 8 / innumerable shield-shaped barchan dunes. If the sand is slightly moist, and there is a little vegetation to bind it together, then you may find parabolic dunes-shaped like a U, with the rounded end pointing in the direction of the wind. These sometimes occur in clusters, and they resemble the teeth of a rake. If the wind direction is variable, other forms become possible. For example, clusters of sand shaped dunes can form, each having several irregular arms radiating from a central peak. They arrange themselves in a random pattern of spots.

Chapter 6

Page 81

"Nature's symmetries can be found on every scale, from the structure of subatomic particles to that of the entire universe. Many chemical molecules are symmetric. The methane molecule is a tetrahedron - a triangular-sided pyramid - with one carbon atom at its center and four hydrogen atoms at its corners Benzene has the sixfold symmetry of a regular hexagon. The fashionable molecule buckminsterfullerene is a truncated icosahedral cage of sixty carbon atoms. (An icosahedron is a regular solid with twenty triangular faces;
"truncated" means that the corners are cut off.) Its symmetry lends it a remarkable stability, which has opened up new possibilities for organic chemistry.
    On a slightly larger scale than molecules, we find symmetries in cellular structure; at the heart of cellular replication lies a tiny piece of mechanical engineering. Deep within each / Page 82  / living cell, there is a rather shapeless structure known as the centrosome, which sprouts long thin microtubules, basic components of the cell's internal "skeleton", like a diminutive sea urchin. Centrsomes were first discovered in 1887 and play an important role in organizing cell division. How-ever in one respect the structure of the centresome is astonishingly symmetric. Inside it has two structures, known as centrioles, positioned at right angles to each other. Each centriole is cylindrical, made from twenty-seven microtubules fused together along their lengths in threes, and arranged with perfect ninefold symmetry. The microtubules themselves also have an astonishingley regular symmetric form. They are hollow tubes, made from a perfect regular checkerboard pattern of units that contain two distinct proteins, alpha- and betatubulin. One day, perhaps, we will understand why nature chose these symmetric forms. But it is amazing to see symmetric structures at the core of a living cell. "

 

 

William Shakespeare (26 April 1564 - 23 April 1616 / Warwickshire)

All The World's A Stage - Poem by William Shakespeare


All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.

 

S
=
1
-
4
SANS
53
26
8
T
=
2
-
5
TEETH
58
22
4
-
-
-
-
-
-
-
-
-
S
=
1
-
4
SANS
53
26
8
E
=
5
-
4
EYES
54
18
9
-
-
-
-
-
-
-
-
-
S
=
1
-
4
SANS
53
26
8
T
=
2
-
5
TASTE
83
20
2
-
-
-
-
-
-
-
-
-
S
=
1
-
4
SANS
53
26
8
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
-
-
-
-
18
-
40
Add to Reduce
540
225
54
-
-
1+8
-
4+0
Reduce to Deduce
5+4+0
2+2+5
5+4
-
-
9
-
4
Essence of Number
9
9
9

 

 

A
=
1
-
1
BLACK
29
11
2
L
=
3
-
1
B
2
2
2
A
=
1
-
1
LACK
27
9
9
D
=
4
-
1
OF
21
12
3
D
=
4
-
1
LIGHT
56
29
2
4
4
27
4
7
Add to Reduce
135
54
18
-
-
2+7
-
-
Reduce to Deduce
1+3+5
2+7
1+8
-
-
9
-
7
Essence of Number
9
9
9

 

 

N
=
5
-
11
NOTHINGNESS
144
54
9
N
=
5
-
7
NOTHING
87
42
6
-
-
-
-
-
-
-
-
-
E
=
5
-
5
EMPTY
79
25
6
E
=
5
-
9
EMPTYNESS
120
39
3
-
-
-
-
-
-
-
-
-
E
=
5
-
7
EXTINCT
95
32
5
E
=
5
-
10
EXTINCTION
133
52
7
-
-
-
-
-
-
-
-
-
A
=
1
-
4
ABYSS
66
12
3
V
=
4
-
10
VOID
50
23
5
-
-
-
-
-
-
-
-
-
V
=
4
-
5
VACUUM
81
18
9
-
-
-
-
-
-
-
-
-

 

 

L
=
3
-
-
LOVE-EV-OLVE
-
-
-
-
-
-
-
4
LOVE
54
18
9
-
-
-
-
2
EV
27
9
9
-
-
-
-
4
OLVE
54
18
9
L
=
3
-
10
4LOVE-EV-OLVE
135
54
18
-
-
-
-
1+0
-
1+3+5
2+7
1+8
L
=
3
-
1
-LOVE-EV-OLVE
9
9
9

 

 

L
=
3
-
-
LIVE-EVIL
-
-
-
-
-
-
-
4
LIVE
48
21
3
-
-
-
-
4
EVIL
48
21
3
E
=
5
-
8
EVIL-LIVE
96
42
6
-
-
-
-
-
-
9+6
4+2
-
L
=
3
-
8
-LIVE-EVIL
15
6
6
-
-
-
-
-
-
1+5
4
-
E
=
3
-
8
EVIL-LIVE
6
6
6

 

 

L
=
3
-
-
LIVED-DEVIL
-
-
-
-
-
-
-
5
LIVED
52
25
7
-
-
-
-
5
DEVIL
52
25
7
E
=
5
-
10
DEVIL-LIVED
104
50
14
-
-
-
-
1+0
-
1+0+4
5+0
1+4
L
=
3
-
1
LIVED-DEVIL
5
5
5

 

 

Calculus - Wikipedia, the free encyclopedia

Calculus (from Latin calculus, literally "small pebble used for counting") is the mathematical study of change, in the same way that geometry is the study of shape and algebra is the study of operations and their application to solving equations.

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
CALCULUS
-
-
-
-
-
-
-
-
-
-
-
-
-
C
=
3
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
C
=
3
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
20
-
8
CALCULUS
92
29
20
-
1
2
18
4
5
6
7
8
9
-
-
2+0
-
-
9+2
2+9
2+0
-
-
-
1+8
-
-
-
-
-
-
-
2
-
8
CALCULUS
11
11
2
-
1
2
9
4
5
6
7
8
9
-
-
-
-
-
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
CALCULUS
2
2
2
-
1
2
9
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
3
-
-
-
-
-
CALCULUS
-
-
-
-
-
-
C
=
3
-
1
C
3
3
3
-
-
3
A
=
1
-
1
A
1
1
1
-
1
-
L
=
3
-
1
L
12
3
3
-
-
3
C
=
3
-
1
C
3
3
3
-
-
3
U
=
3
-
1
U
21
3
3
-
-
3
L
=
3
-
1
L
12
3
3
-
-
3
U
=
3
-
1
U
21
3
3
-
-
3
S
=
1
-
1
S
19
10
1
-
1
-
-
-
20
-
8
CALCULUS
92
29
20
-
1
18
-
-
2+0
-
-
9+2
2+9
2+0
-
-
1+8
-
2
-
8
CALCULUS
11
11
2
-
1
9
-
-
-
-
-
1+1
1+1
-
-
-
-
-
2
-
8
CALCULUS
2
2
2
-
1
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
FIFTYFOUR
-
-
-
-
-
-
-
-
-
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
1
T
2
2
2
-
-
2
-
-
-
-
-
-
-
Y
=
7
-
1
Y
7
7
7
-
-
-
-
-
-
-
7
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
54
-
9
FIFTYFOUR
126
54
54
-
1
2
3
4
5
24
7
8
18
-
-
5+4
-
-
1+2+6
5+4
5+4
-
-
-
-
-
-
2+4
-
-
1+8
-
9
-
9
FIFTYFOUR
9
9
9
-
1
2
3
4
5
6
7
8
9

 

FIFTY FOUR = 126 = FIFTY FOUR

FIFTY FOUR = 54 = FIFTY FOUR

FIFTY FOUR = 9 = FIFTY FOUR

 

-
-
-
-
-
-
-
-
-
-
2
3
6
7
9
-
-
-
-
-
FIFTYFOUR
-
-
-
-
-
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
6
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
9
F
=
6
-
1
F
6
6
6
-
-
-
6
-
-
T
=
2
-
1
T
2
2
2
-
2
-
-
-
-
Y
=
7
-
1
Y
7
7
7
-
-
-
-
7
-
F
=
6
-
1
F
6
6
6
-
-
-
6
-
-
O
=
6
-
1
O
15
6
6
-
-
-
6
-
-
U
=
3
-
1
U
21
3
3
-
-
3
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
9
-
-
54
-
9
FIFTYFOUR
126
54
54
-
2
3
24
7
18
-
-
5+4
-
-
1+2+6
5+4
5+4
-
-
-
2+4
-
1+8
-
9
-
9
FIFTYFOUR
9
9
9
-
2
3
6
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
FIFTYFOUR
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
1
T
2
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
Y
=
7
-
1
Y
7
7
7
-
-
-
-
-
-
-
7
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
54
-
9
FIFTYFOUR
126
54
54
-
1
2
3
4
5
24
7
8
18
-
-
5+4
-
-
1+2+6
5+4
5+4
-
-
-
-
-
-
2+4
-
-
1+8
-
9
-
9
FIFTYFOUR
9
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
2
3
6
7
9
-
-
-
-
-
FIFTYFOUR
-
-
-
-
-
-
-
-
-
T
=
2
-
1
T
2
2
2
-
2
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
3
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
6
-
-
F
=
6
-
1
F
6
6
6
-
-
-
6
-
-
F
=
6
-
1
F
6
6
6
-
-
-
6
-
-
O
=
6
-
1
O
15
6
6
-
-
-
6
-
-
Y
=
7
-
1
Y
7
7
7
-
-
-
-
7
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
9
R
=
9
-
1
R
18
9
9
-
-
-
-
-
9
-
-
54
-
9
FIFTYFOUR
126
54
54
-
2
3
24
7
18
-
-
5+4
-
-
1+2+6
5+4
5+4
-
-
-
2+4
-
1+8
-
9
-
9
FIFTYFOUR
9
9
9
-
2
3
6
7
9

 

FIFTYFOUR 126 FIFTYFOUR

FIFTYFOUR 54 FIFTYFOUR

FIFTYFOUR 9 FIFTYFOUR

 

5040 The Perfect Number - ø∑Dubs joedubs.com/5040-the-perfect-number/

12 Mar 2015 - 5040 Plato's Perfect Number - The Platonic Solids and our units of measure. ... Allan Brown & John Michell first pointed this out in their book ...
5040 The Perfect Number

5040 The Perfect Number

Plato mentions in his Laws that 5040 is a convenient number to use for dividing many things (including both the citizens and the land of a state) into lesser parts. Claiming it to be the ideal population of a city, he thought that the people’s well-being depended almost as much on the number as on justice. 5040 as it turns out is a very special number.

One of the reasons 5040 was so highly revered was because it is a superior highly composite number. Translation: No other number below it has as many divisors. 5040 has the same amount of divisors as there are minutes in an hour, or seconds in a minute. 5040 is a very practical number, being divisible by 1-12, except 11. There are only ten of these rare numbers below a million, and it just so happens that the combined radii of Earth and Moon in miles equals 5040 (99.97%). The angular measure of the Platonic solids can be combined to sum 5040. The total angles of the octahedron and icosahedron, which Plato associated with Air and Water, conveniently add up to 5040. It turns up everywhere.

The Platonic Solids’ total angles all reduce to NINE

5040 is tied to 7, and 7 is the middle ground among the Decad (the numbers 1-10)

5040 = 1x2x3x4x5x6x7 = 7!

5040 = 7x8x9x10 = 10!/6! = 7!

7! + (10!/6!) = Minutes in a Week = Mean diameters of Earth and Moon in miles = 10,080

The combined radii of Earth and Moon is 5040 miles (99.97% accuracy)

 

 

MINUTE = 1 = MINUTE

MINUTE = 10 = MINUTE

MINUTE = 28 = MINUTE

MINUTE = 82 = MINUTE

 

SECOND 6 SECOND

SECOND 24SECOND

SECOND 60 SECOND

 

NOVEL AZIN LOVE N
NOVEL AZIN LOVE 5

 

IN SPIRIT INSPIRE
SPIRIT = I TRIPS OUT OF GOD
THE GO DO GOOD GOD IS

 

A STAR GLITTERS IN THE NIGHT SKY.
A RATS EYE GLITTERS IN THE NIGHTS SKY

 

A SECOND 60 SECONDS LONG = I MINUTE.
SECOND = 60 6+0 = 6.
MINUTE = 1

 

AVERAGE HEART BEAT 72

 

SEVEN EVENS

 

SOUL SO U LIVE
SOUL SO U LEARN
SOUL SO U LOVE

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
PROBLEMS
-
-
-
-
-
-
-
-
-
-
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
37
-
8
PROBLEMS
100
46
37
-
1
2
3
4
5
6
7
8
9
-
-
3+7
-
-
1+0+0
4+6
3+7
-
-
-
-
-
-
-
-
-
-
-
10
-
8
PROBLEMS
1
10
10
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
1
-
8
PROBLEMS
1
1
1
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
PROBLEMS
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
37
-
8
PROBLEMS
100
46
37
-
1
2
3
4
5
6
7
8
9
-
-
3+7
-
-
1+0+0
4+6
3+7
-
-
-
-
-
-
-
-
-
-
-
10
-
8
PROBLEMS
1
10
10
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
1
-
8
PROBLEMS
1
1
1
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
9
-
-
-
-
-
PROBLEMS
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
9
-
-
37
-
8
PROBLEMS
100
46
37
-
1
2
3
4
5
6
7
9
-
-
3+7
-
-
1+0+0
4+6
3+7
-
-
-
-
-
-
-
-
-
-
10
-
8
PROBLEMS
1
10
10
-
1
2
3
4
5
6
7
9
-
-
1+0
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
1
-
8
PROBLEMS
1
1
1
-
1
2
3
4
5
6
7
9

 

RESOLVE REVOLVE ABSOLVE DISSOLVE

EVOLVE LOVE EVOLVE

 

LIFE FILE.
LIVE EVIL
LIVED DEVIL

 

KARMA A MARK IS
LORD YAMA TIBETAN LORD OF DEATH
YAMA MAYA
MAYA ILLUSION IS

 

EARTH HEART TERAH THERA

 

THE FAMILY
THEFAMILY
285614937
THEFAMILY
THE NINE LETTERS OF THESE HOLY WORDS TRANSPOSED VIA NUMERICAL ORDER CONTAIN THE NUMBERS

123456789
THE FAMILY
THEFAMILY
ATLMEFYHI
123456789
THE FAMILY = ATLMEFYHI = THE FAMILY

 

EMMANUEL MEANS GOD WITH US

GODWITHUS RE-ARRANGED BECOMES STUDWOGHI
STUDWOGHI
123456789
STUDWOGHI

 

NUMBERS
SBUMENR
123455 9
NUMBERS SBUMENR = NUMBERS

 

PARADISE, THE GARDEN OF EDEN
PARADE EYES IN THE GARDEN OF NEED

 

REAL REALITY REVEALED TRANSPOSED INTO PATTERNS OF 9NINE9
REALREALITYREVEALED
9 9 9 9 9 9 9 9 9 9 x 10 = 90
REALREALITYREVEALED

 

MIND + MATTER = 9
POSITIVE + NEGATIVE = 9
DARK + LIGHT = 9
DIVINE = 9
THOUGHT = 9
GODS = 9 LOVE = 9 EVOLVE

 

I

THAT AM THAT

TIME EMIT

 

 

SEVEN EVENS SEVEN

 

 

THE INSOLENCE OF OFFICE

No Fear Shakespeare: Hamlet: Act 3, Scene 1, Page 4

nfs.sparknotes.com › No Fear Shakespeare › Hamlet
Th' oppressor's wrong, the proud man's contumely,. The pangs of despised love, the law's delay,. The insolence of office, and the spurns. That patient merit of th' ...

 

 

T
=
2
-
2
TO
35
8
8
B
=
2
-
2
BE
7
7
7
O
-
6
-
2
OR
33
15
6
N
=
2
-
3
NOT
49
13
4
T
=
2
-
2
TO
35
8
8
B
=
2
-
2
BE
7
7
7
T
=
2
-
4
THAT
49
13
4
I
=
9
-
2
IS
28
10
1
T
=
2
-
3
THE
33
15
6
Q
-
8
-
8
QUESTION
120
39
3
-
-
37
-
30
First Total
396
135
54
-
-
3+7
-
3+0
Add to Reduce
3+9+6
1+3+5
5+4
-
-
10
-
3
Second Total
18
9
9
-
-
1+0
-
-
Reduce to Deduce
1+8
-
-
-
-
1
-
3
Essence of Number
9
9
9

 

 

To be, or not to be - Wikipedia, the free encyclopedia

https://en.wikipedia.org/wiki/To_be,_or_not_to_be

"To be, or not to be..." is the opening phrase of a soliloquy in the "Nunnery Scene" of William ... The insolence of Office, and the Spurns That patient merit of the ...

This version of the portfolio preserves most of the First Folio text, with updated spelling and five common emendations introduced from the Second ("Good") Quarto (italicized).

To be, or not to be, that is the question:
Whether 'tis Nobler in the mind to suffer
The Slings and Arrows of outrageous Fortune,
Or to take Arms against a Sea of troubles,
And by opposing end them: to die, to sleep
No more; and by a sleep, to say we end
The Heart-ache, and the thousand Natural shocks
That Flesh is heir to? 'Tis a consummation
Devoutly to be wished. To die, to sleep,
To sleep, perchance to Dream; aye, there's the rub,
For in that sleep of death, what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes Calamity of so long life:
For who would bear the Whips and Scorns of time,
The Oppressor's wrong, the proud man's Contumely, [F: poor]
The pangs of despised Love, the Law’s delay, [F: disprized]
The insolence of Office, and the Spurns
That patient merit of the unworthy takes,
When he himself might his Quietus make
With a bare Bodkin? Who would Fardels bear, [F: these Fardels]
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered Country, from whose bourn
No Traveller returns, Puzzles the will,
And makes us rather bear those ills we have,
Than fly to others that we know not of.
Thus Conscience does make Cowards of us all,
And thus the Native hue of Resolution
Is sicklied o'er, with the pale cast of Thought,
And enterprises of great pitch and moment, [F: pith]
With this regard their Currents turn awry, [F: away]
And lose the name of Action. Soft you now,
The fair Ophelia? Nymph, in thy Orisons
Be all my sins remembered.[4]

 

 

T
=
2
-
3
THE
33
15
6
I
=
9
-
9
INSOLENCE
96
42
6
O
=
6
-
2
OF
21
12
3
O
-
6
-
6
OFFICE
44
35
8
-
-
23
-
20
First Total
194
104
23
-
-
2+3
-
2+0
Add to Reduce
1+9+4
1+0+4
2+3
-
-
5
-
2
Second Total
14
5
5
-
-
-
-
-
Reduce to Deduce
1+4
-
-
-
-
5
-
2
Essence of Number
5
5
5

 

 

C
=
3
-
10
CAPITALISM
103
40
4
-
-
-
-
-
-
-
-
-
C
=
3
-
1
C
3
3
3
A
=
1
-
8
APPROACH
78
42
6
I
=
9
-
2
IT
29
11
2
A
-
1
-
3
ALL
25
7
7
I
=
9
-
2
IS
28
10
1
M
-
4
-
4
MINE
41
23
5
-
-
27
-
20
First Total
204
96
24
-
-
2+7
-
2+0
Add to Reduce
2+0+4
9+6
2+4
-
-
9
-
2
Second Total
6
15
6
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
9
-
2
Essence of Number
6
6
6

 

 

LOVE THY NEIGHBOUR AS THYSELF

 

 

HOLY BIBLE

Page 120

Matthew 15:9

BUT IN VAIN THEY DO WORSHIP ME, TEACHING FOR DOCTRINES THE COMMANDMENTS OF MEN.

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
B
=
2
-
3
BUT
43
7
7
-
-
-
-
-
-
-
7
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
V
=
4
-
4
VAIN
46
19
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
4
THEY
58
22
4
-
-
-
-
4
-
-
-
-
-
D
=
4
-
2
DO
19
10
1
-
1
-
-
-
-
-
-
-
-
W
=
5
-
7
WORSHIP
108
45
9
-
-
-
-
-
-
-
-
-
9
M
=
4
-
2
ME
18
9
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
8
TEACHING
67
40
4
-
-
-
-
4
-
-
-
-
-
F
=
6
-
3
FOR
39
21
3
-
-
-
3
-
-
-
-
-
-
D
=
4
-
9
DOCTRINES
107
44
8
-
-
-
-
-
-
-
-
8
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
C
=
3
-
12
COMMANDMENTS
134
44
8
-
-
-
-
-
-
-
-
8
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
3
MEN
32
14
5
-
-
-
-
-
5
-
-
-
-
-
-
57
-
64
First Total
748
325
73
-
2
2
6
8
10
6
7
16
18
-
-
5+7
-
6+4
Add to Reduce
7+4+8
3+2+5
7+3
-
-
-
-
-
1+0
-
7
1+6
1+8
-
-
12
-
10
Second Total
19
10
10
-
2
2
6
8
1
6
7
7
9
-
-
1+2
-
1+0
Reduce to Deduce
1+9
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
3
-
1
Third Total
10
1
1
-
2
2
6
8
1
6
7
7
9
-
-
-
-
-
Reduce to Deduce
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
1
Essence of Number
1
1
1
-
2
2
6
8
1
6
7
7
9

 

 

MARIO AND THE MAGICIAN AND OTHER STORIES

Thomas Mann 1936

Now let me renew the tablets,'

 

-
Q
-
Q
-
RENEW
-
Q
-
R
=
9
-
1
R
18
9
9
E
=
5
-
1
E
5
5
5
N
=
5
-
1
N
14
5
5
E
=
5
-
1
E
5
5
5
W
=
5
-
1
W
23
5
5
-
-
29
4
5
RENEW
65
29
29
-
-
2+9
-
-
-
6+5
2+9
2+9
Q
-
11
-
5
RENEW
11
11
11
-
-
1+1
-
-
-
1+1
1+1
1+1
Q
-
2
-
5
RENEW
2
2
2

 

 

-
Q
-
Q
-
RENEWED
-
Q
-
R
=
9
-
1
R
18
9
9
E
=
5
-
1
E
5
5
5
N
=
5
-
1
N
14
5
5
E
=
5
-
1
E
5
5
5
W
=
5
-
1
W
23
5
5
E
=
5
-
1
E
5
5
5
D
=
4
-
1
D
4
4
4
-
-
29
4
7
RENEWED
74
38
38
-
-
2+9
-
-
-
7+4
3+8
3+8
Q
-
11
-
7
RENEWED
11
11
11
-
-
1+1
-
-
-
1+1
1+1
1+1
Q
-
2
-
7
RENEWED
2
2
2

 

 

Syzygy | Definition of Syzygy by Merriam-Webster

www.merriam-webster.com/dictionary/syzygy
the nearly straight-line configuration of three celestial bodies (as the sun, moon, and earth during a solar or lunar eclipse) in a gravitational system. Editor's note: ...

 

SYZYGY 178777 SYZYGY

SYZYGY 127 SYZYGY

SYZYGY 37 SYZYGY

SYZYGY 10 SYZYGY

SYZYGY 1 SYZYGY

SYZYGY 178777 SYZYGY

 

Syzygy | Define Syzygy at Dictionary.com

www.dictionary.com/browse/syzygy

noun (pl) -gies. 1. either of the two positions (conjunction or opposition) of a celestial body when sun, earth, and the body lie in a straight line: the moon is at syzygy when full. 2. (in classical prosody) a metrical unit of two feet.

 

syzygy - definition of syzygy in English | Oxford Dictionaries

https://www.oxforddictionaries.com/definition/english/syzygy

1Astronomy. A conjunction or opposition, especially of the moon with the sun. 'the planets were aligned in syzygy' 'In case you didn't know, Earth, the Moon, and the Sun are in syzygy every time they line up in space.' 'Maximum gravitation force occurs when a syzygy and perigee occur on the same day as perihelion.'

 

syzygy

/'s?z?d?i/
noun
noun: syzygy; plural noun: syzygies

1. Astronomy
a conjunction or opposition, especially of the moon with the sun.
"the planets were aligned in syzygy"
2. a pair of connected or corresponding things.

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
SYZYGY
-
-
-
-
-
2
3
4
5
6
-
-
9
S
=
1
-
1
S
19
10
1
-
1
2
3
4
5
6
-
-
9
Y
=
7
-
1
Y
25
7
7
-
-
2
3
4
5
6
7
-
9
Z
=
8
-
1
Z
26
8
8
-
-
2
3
4
5
6
-
8
9
Y
=
7
-
1
Y
25
7
7
-
-
2
3
4
5
6
7
-
9
G
=
7
-
1
G
7
7
7
-
-
2
3
4
5
6
7
-
9
Y
=
7
-
1
Y
25
7
7
-
-
2
3
4
5
6
7
-
9
-
-
37
-
6
SYZYGY
127
46
37
-
1
2
3
4
5
6
28
8
9
-
-
3+7
-
-
1+0+0
4+6
3+7
-
-
-
-
-
-
-
2+8
-
-
-
10
-
6
SYZYGY
1
10
10
-
1
2
3
4
5
6
10
8
9
-
-
1+0
-
-
-
1+0
1+0
-
-
-
-
-
-
-
1+0
-
-
-
1
-
6
SYZYGY
1
1
1
-
1
2
3
4
5
6
1
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
7
8
-
-
-
-
-
SYZYGY
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
Y
=
7
-
1
Y
25
7
7
-
-
7
-
Z
=
8
-
1
Z
26
8
8
-
-
-
8
Y
=
7
-
1
Y
25
7
7
-
-
7
-
G
=
7
-
1
G
7
7
7
-
-
7
-
Y
=
7
-
1
Y
25
7
7
-
-
7
-
-
-
37
-
6
SYZYGY
127
46
37
-
1
28
8
-
-
3+7
-
-
1+0+0
4+6
3+7
-
-
2+8
-
-
10
-
6
SYZYGY
1
10
10
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1+0
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6
SYZYGY
1
1
1
-
1
1
8

 

 

Synergy | Define Synergy at Dictionary.com
www.dictionary.com/browse/synergy
the interaction of elements that when combined produce a total effect that is greater than the sum of the individual elements, contributions, etc.; synergism. ... “Synergy is the creation of a whole that is greater than the sum of its parts.“. ... The interaction of two or more agents

 

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SYNERGY
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SYNERGY
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SYNERGY
5
5
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2
3
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1
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SYNERGY
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SYNERGY
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SYNERGY
5
5
5
-
1
1
3
9

 

 

https://en.wikipedia.org/wiki/Synergetics

Synergetics can refer to: Synergetics (Fuller), a study of systems behavior suggested by BuckminsterFuller;

Synergetics (Haken), a school of thought on ...

 

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SYNERGETICS
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SYNERGETICS
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SYNERGETICS
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6
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9

 

 

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SYNERGETICS
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SYNERGETICS
144
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9
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SYNERGETICS
9
9
9
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2
2
3
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6
6
5
8
9

 

 

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SYNERGETICS
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SYNERGETICS
9
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SYNERGETICS
144
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-
9
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SYNERGETICS
9
9
9
-
2
2
3
6
5
9

 

https://en.wikipedia.org/wiki/Synergetics
Synergetics can refer to: Synergetics (Fuller), a study of systems behavior suggested by Buckminster Fuller; Synergetics (Haken), a school of thought on ...

Synergetics (Fuller) - Wikipedia
https://en.wikipedia.org/wiki/Synergetics_(Fuller)

Synergetics is the empirical study of systems in transformation, with an emphasis on total system behavior unpredicted by the behavior of any isolated ...
?Definition · ?Tetrahedral accounting · ?Starting with Universe · ?Intuitive geometry
Synergetics is the empirical study of systems in transformation, with an emphasis on total system behavior unpredicted by the behavior of any isolated components, including humanity's role as both participant and observer.

Since systems are identifiable at every scale from the quantum level to the cosmic, and humanity both articulates the behavior of these systems and is composed of these systems, synergetics is a very broad discipline, and embraces a broad range of scientific and philosophical studies including tetrahedral and close-packed-sphere geometries, thermodynamics, chemistry, psychology, biochemistry, economics, philosophy and theology. Despite a few mainstream endorsements such as articles by Arthur Loeb and the naming of a molecule "buckminsterfullerene", synergetics remains an iconoclastic subject ignored by most traditional curricula and academic departments.

Buckminster Fuller (1895-1983) coined the term and attempted to define its scope in his two volume work Synergetics.[1][2][3] His oeuvre inspired many researchers to tackle branches of synergetics. Three examples: Haken explored self-organizing structures of open systems far from thermodynamic equilibrium, Amy Edmondson explored tetrahedral and icosahedral geometry, Stafford Beer tackled geodesics in the context of social dynamics, and Nystrom proposed a theory of computational cosmography.[4] Many other researchers toil today on aspects of Synergetics, though many deliberately distance themselves from Fuller's broad all-encompassing definition, given its problematic attempt to differentiate and relate all aspects of reality including the ideal and the physically realized, the container and the contained, the one and the many, the observer and the observed, the human microcosm and the universal macrocosm.
"Synergetics" is defined by R. Buckminster Fuller (1895-1983) in his two books Synergetics: Explorations in the Geometry of Thinking and Synergetics 2: Explorations in the Geometry of Thinking as:

A system of mensuration employing 60-degree vectorial coordination comprehensive to both physics and chemistry, and to both arithmetic and geometry, in rational whole numbers ... Synergetics explains much that has not been previously illuminated ... Synergetics follows the cosmic logic of the structural mathematics strategies of nature, which employ the paired sets of the six angular degrees of freedom, frequencies, and vectorially economical actions and their multi-alternative, equi-economical action options ... Synergetics discloses the excruciating awkwardness characterizing present-day mathematical treatment of the interrelationships of the independent scientific disciplines as originally occasioned by their mutual and separate lacks of awareness of the existence of a comprehensive, rational, coordinating system inherent in nature.[5]

Other passages in Synergetics that outline the subject are its introduction (The Wellspring of Reality) and the section on Nature's Coordination (410.01). The chapter on Operational Mathematics (801.00-842.07) provides an easy to follow, easy to build introduction to some of Fuller's geometrical modeling techniques. So this chapter can help a new reader become familiar with Fuller's approach, style and geometry. One of Fuller's clearest expositions on "the geometry of thinking" occurs in the two part essay "Omnidirectional Halo" which appears in his book No More Secondhand God.[6]

Amy Edmondson describes synergetics "in the broadest terms, as the study of spatial complexity, and as such is an inherently comprehensive discipline." [7] In her PhD study, Cheryl Clark synthesizes the scope of synergetics as "the study of how nature works, of the patterns inherent in nature, the geometry of environmental forces that impact on humanity."[8]

Here's an abridged list of some of the discoveries Fuller claims for Synergetics again quoting directly:
The rational volumetric quantation or constant proportionality of the octahedron, the cube, the rhombic triacontahedron, and the rhombic dodecahedron when referenced to the tetrahedron as volumetric unity.
The trigonometric identification of the great-circle trajectories of the seven axes of symmetry with the 120 basic disequilibrium LCD triangles of the spherical icosahedron. (See Sec. 1043.00.)
The rational identification of number with the hierarchy of all the geometries.
The A and B Quanta Modules.
The volumetric hierarchy of Platonic and other symmetrical geometricals based on the tetrahedron and the A and B Quanta Modules as unity of coordinate mensuration.
The identification of the nucleus with the vector equilibrium.
Omnirationality: the identification of triangling and tetrahedroning with second- and third-powering factors.
Omni-60-degree coordination versus 90-degree coordination.
The integration of geometry and philosophy in a single conceptual system providing a common language and accounting for both the physical and metaphysical.[9]

Significance[edit]
Several authors have tried to characterize the importance of synergetics. Amy Edmonson asserts that "Experience with synergetics encourages a new way of approaching and solving problems. Its emphasis on visual and spatial phenomena combined with Fuller's holistic approach fosters the kind of lateral thinking which so often leads to creative breakthroughs.".[10] Cheryl Clark points out that "In his thousands of lectures, Fuller urged his audiences to study synergetics, saying 'I am confident that humanity's survival depends on all of our willingness to comprehend feelingly the way nature works.'"[11]

 

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MARIO AND THE MAGICIAN AND OTHER STORIES

Thomas Mann 1936

Page 297

" 'Now let me renew the tablets,' said he, 'that I may take your brevity down to the human beings. After all, perhaps it was just as well that I smashed the first in my anger. There were a few misshaped letters in them. I shall now confess to you that I fleetingly thought of this when I dashed the tablets to pieces.'
And again he sat, secretly nourished and succoured by Joshua, and he jabbed and he chiselled, he scraped and he smoothed. Wiping his brow from time to time with the back of his hand, he wrote, hacking and graving the letters into the tablets. They came out a good deal better than the first time. Then again he painted the letters with his blood and descended, the law under his arms.
It was announced to Israel that the mourning had come to an end, and that they again might put on their ornaments, except of course-the earrings: these had been used up to bad purpose. And all the people came before Moses that he might hand them what he had brought down, the message of Jahwe from the mountain, the tablets with the ten words.
'Take them, blood of our fathers,' said he, 'and hold them sacred in the tent of God. But what they tell ye, that hold sacred in your actions. For here is briefed what shall bind you; here is the divine condensation; here is the alpha and omega of human behaviour; here is the rock of decency, which God has inscribed in lapidary writing, using my stylus. In your language did he write, but in symbols in which if need be all the languages of all peoples could be written. For he is the Lord of all, and therefore is the Lord of ABC, and his speech, addressed to you, Israel, is at the same time a speech for all.
'Into the stone of the mountain did I grave the ABC of human behaviour, but it must be graved also into your flesh and blood, Israel. So that he who breaks but one word of the ten commandments shall tremble before his own self and before / Page 298 / God and an icy finger shall be laid on his heart, because he has stepped out of God's confines. I know well and God knows in advance that his commandments will not be obeyed, and they will be transgressed at all times and everywhere. But at least the heart of anyone who breaks them shall turn icy, for the words are written in every man's flesh and blood and deep within himself he knows that the words are all-valid.
'But woe to the man who shall arise and speak: "They are no longer valid." Woe to him who teaches you: "Arise and get rid of them! Lie, murder, rob, whore, rape, and deliver your father and mother to the knife. For this is the natural behaviour of human beings and you shall praise my name because I proclaim natural licence." Woe to him who erects a calf and speaks:
"This is your god. In his honour do all of this, and whirl around the image I have fashioned in a round dance of debauchery." He shall be mighty and powerful, he shall sit upon a golden throne, and he shall be looked up to as the wisest of all. For he knows that the inclination of the human heart is evil, even in youth. But that is about all that he will know, and he who knows only that is as stupid as the night and it would be better for him never to have been born. For he knows nothing of the covenant between God and man, a covenant that none may break, neither man nor God, for it is unbreakable.Blood shall flow in torrents because of his black stupidity, so much blood that the redness shall vanish from the cheeks of mankind. But then the people shall hew down the monster - inevitably; for they can do naught else. And the Lord says, I shal1 raise my foot and shall trample him into the mire, to the bottom of the earth shall I cast the blasphemer, one hundred and twelve fathoms deep. And man and beast shall describe an arc around the spot into which I have cast him; and the birds of the heavens, high in their flight, shall shun the place so that they need not fly over it. And he who shall speak his name, he shall spit towards the four corners of the earth and shall wipe his mouth and say, "Forfend!" That the earth may again be the earth, a vale of want, yes, but not a sty of depravity. To that say ye Amen!'

And all the people said Amen."

 

 

AMEN NAME NAME AMENAMEN NAME NAME AMENAMEN NAME NAME AMEN

 

 

AUGERIES OF INNOCENCE

"Every Night and every Morn
Some to Misery are Born.
Every Morn and every Night
Some are Born to sweet Delight.
Some are Born to sweet Delight,
Some are born to Endless Night."
 
William Blake 1757 - 1827"

 

DAILY MAIL

Saturday, November 25, 2006

Steve Doughty

Social Affairs Correspondent

Front Page Headlines

"AMEN"

",,,(Hallelujah!),,,"

 

 

AMEN

From Wikipedia, the free encyclopedia

"This article is about the Hebrew word; for other meanings see Amen (disambiguation).

The word Amen (Tiberian Hebrew (Sign omitted) Amen "So be it truly", Standard Hebrew (Sign omitted) Amen, Arabic (Sign omitted) Amin, Ge'ez' Amen) is a declaration of affirmation found in the Hebrew Bible, the New Testament, and in the Qur'an. It has always been in use within Judaism and Islam. It has been generally adopted in Christian worship as a concluding formula for prayers and hymns. In Islam, it is the standard ending to suras. Common English translations of the word amen include: "Verily", "Truly", "So be it", and "Let it be".

 

 

BIBLE USEAGE

Three distinct Biblical usages may be noted

1. Initial Amen, referring back to words of another speaker, e.g. 1 Kings 1: 36; Revelation 22;20

2 Detached Amen, the complementary sentence being suppressed, e.g. Neh. v.13; Revelation v. 14 (of Corinthians xiv. 16)

3. Final Amen, with no change of speaker, as in the subscription to the first three divisions of the psalter and in the frequent doxologies of the New testament Epistles

The word 'amen' is the value 99 in Greek numerals and appears in the Bible (Old and New testament) 99 times."

 

 

Ivan Panin's—Bible Numerics - Bible Believers
www.biblebelievers.org.au/panin2.htm

Ivan Panin proves the authenticity of the Bible by the mathematical seal beneath its surface. ... Bible numerics appears to be God's watermark of authenticity. ... discovery of the mathematical structure underlining the vocabulary of the Greek New Testament. .... The word "Amen" or "verily" is valued at 99 and occurs 99 times.

 

Praying question? - Christianity - Hip Forums
www.hipforums.com › ... › Mind Trips › Philosophy and Religion › Christianity

17 Feb 2006 - 30 posts - ‎14 authors
It may be of interest to note that the word 'amen' is the value 99 in Greek numerals and appears in the Bible (Old and New testament) 99 times.

 

 

AMEN NAME MANE MEAN

NAME E MAN E MAN NAME

 

 

Daily Mail, Tuesday, September 13, 2016

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

Proof it isn't a man's world!

QUESTION Are there any famous female philosophers?

THE history of.philosophy — the study of the fundamental nature of knowledge, reality and existence, especially when considered as an academic discipline — is predominantly white and predominantly male, and topics deemed important by the discipline tend to ignore race, ethnicity, and gender.

It has been claimed by some that women are less comfortable than men in inhabiting the cold, analytical space, in which philosophy exists.

Others claim that in contemporary philosophy there is too much focus on the history of Western philosophy — e.g. Plato, Aristotle, Descartes, Hume, Kant, Hegel, Russell, Wittgenstein and others, and not enough on Asian, African, or Native American ideas about the nature of mind.

But there is a history of women philosophers running through the ages. Female philosophers of the Vedic period in India include Ghosha, Lopamudra, Maitreyi and Gargi.

Gargi, a Vedic prophetess, famously bamboozled male Vedic philosophers at a philosophic congress with the question 'The layer that is above the sky and below the Earth, which is described as being situated between the Earth and the sky and which is indicated as the symbol of the past, present and future, where is that situated?'

Hypatia, daughter of the philosopher Theon, was a famous teacher, mathematician and astronomer who developed neo-Platonism at Alexandria from about AD 400 to her death in 415. She was so well-known that correspondence addressed only to 'The Philosopher' is said to have reached her.

Hypatia is thought to have taught ideas relating to different levels of reality and humanity's ability to understand them. German abbess Hildegard of Bingen (1098-1179), one of the great female figures of the medieval era, founded the monasteries of Rupertsberg in 1150 and Eibingen in 1165.

She was also a fine composer, a visionary, a prophet — known as The Sibyl Of The Rhine — and a pioneer who wrote practical books on biology, botany, medicine, theology, philosophy and the arts. Her Ordo Virtutum is an early example of liturgical drama and arguably the oldest surviving morality play.

Mary Wollstonecraft (1759-1797) was English feminist and egalitarian, associated with Thomas Paine and William Godwin (her husband). In A Vindication Of The Rights Of Men (1790) she argued against the slave trade.

A Vindication of the Rights Of Women (1792) was an early feminist tract, and she was opposed to monarchy, church, the military and marriage, which she described as 'legal prostitution'. She died after giving birth to the future Mary Shelley.

Ayn Rand (1905-1982) was a Russian-born novelist and philosopher who emigrated to America in 1924. Beloved of the conservative right, she developed a philosophy of individualism she called objectivism (a philosophy for living on Earth'), and she is known for her philosophical novels The Fountainhead (1935) and Atlas Shrugged (1957).

Simone de Beauvoir (1908-1986) is one of the foremost philosophers of the 20th century. Beauvoir developed an education in traditional philosophy (she wrote a thesis on Leibniz) into more radical explorations of feminism and existentialism.

Her seminal work was The Second Sex in which she argued that women have been held back throughout history by the perception that they are a 'deviation' from the male norm. She insisted this was an assumption that must be broken if feminism were to succeed.
Emma Layne, Nottingham

 

 

.Daily Mail, Friday, September 9, 2016

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

Ha -ha! That is a suprise

Watch your step: The hidden ditch, or ha-ha at Burghley House. Inset Capability Brown (images omitted)

QUESTION Did Capability Brown Invent the ha-ha, which Is usually attributed to the French?

THE ha-ha is a sunken fence or wall followed by a ditch found in the formal gardens of grand country houses that became popular in Britain in the mid-18th century. Its function is practical and aesthetic.

The ha-ha prevented grazing animals on large estates from gaining access to the formal gardens adjoining the house, while giving a continuous vista to create the illusion that garden and landscape were unbroken.

Horace Walpole, in his essay On Modern Gardening (1770), attributed the invention to pioneering landscape gardener Charles Bridgman (1690-1738), who created Britain's first ha-ha for Lord Cobham at Stowe, Bucks in 1719: 'But the capital stroke, the leading -- step to all that followed was (I believe the first though was Bridgman's) the destruction of walls for boundaries, and the invention of fosses — an attempt then deemed so astonishing, that the common people called them Ha! Has! to express their surprise at finding a sudden and unperceived check to their walk.'

Lancelot 'Capability' Brown (1716-1783), Britain's most famous (and prolific) landscape gardener, was certainly responsible for popularising the ha-ha. Many of his most famous gardens feature the structure, including Sherbourne Castle, Burghley ' House, Harewood House, Chatsworth Hall and Blenheim Palace.

However the structure was almost certainly French,. the term being attested in toponyms in New France from 1686 (as seen today in Saint-Louis-du-Ha! Ha!).

It was a feature of the gardens of the Chateau de Meudon, near Paris, before 1700. In France, the name ha-ha is traditionally attributed to Louis, Grand Dauphin, who on encountering the feature at Meudon, proclaimed: 'Ha-ha!'

The technical innovation was presented in Dezallier d'Argenville's La Theorie Et La Pratique Du Jardinage (1709), which the architect John James (1712) translated into English:

`Grills of iron are very necessary ornaments in the lines of walks, to extend the view, and to show the country to advantage.

At present we frequently make thorough-views, called Ah, Ah, which are openings in the walls, without grills, to the very level of the walks, with a large and deep ditch at the foot of them, lined on both sides to sustain the earth, and prevent the getting over which suprises the upon coming near it, and makes one laugh, Ha ! Ha!, from where it takes it's name.

Amy Dancer, Chard Somerset.

 

 

THE SUPERGODS

Maurice M Cotterell

1997

"Once we understood the intellectual game of the Maya, in the Temple of Inscriptions, we were invited to count. We counted firstly 11111,22222, 33333,44444,55555, 66... the number of the beast, of blasphemy, is miss-ing from the Temple of Inscriptions at Palenque. But then we began to count the beads on the necklace from the neck of Lord Pacal (see Chapter 4). Only when we began the count did the numbers 666 appear, not as themselves but as part of the number 13, which occurred in three sections of the necklace. Then the numbers 777 and 888 appeared in the necklace and then the 9s were found elsewhere: 'Let him that hath understanding count the number of the beast.'
The expression 'Let he that hath an ear, let him hear' appears no less than eight times in Revelations, and we recall that one of the plaster heads of Lord Pacal found on the floor of the tomb had one ear missing:
'Let he that hath an ear, let him hear' (see Fig 37).
Revelations continues by telling of an angel that came to 'seal the servants of God'

 

 

THE

PATH OF PTAH

 

 

 

THE EGYPTIAN BOOK OF THE DEAD

E. A. Wallace Budge

1899

OF LIVING NIGH UNTO RA

 Page 397

And I say, 'On every road " and among (11) these millions of years is Ra the lord, "and his path is in the fire; and they go round about "behind him, and they go round about behind him.' "

 

"and his path is in the fire; and they go round about "behind him, and they go round about behind him.' "

 

 

In 1913 Bohr perfected the Rutherford theory of the atom by an early use of quantum theory. An electron moving in a circle around the nucleus can be held in orbit by a balance between the electrostatic force of attraction to the nuclei and the centrifugal force due to its motion.

 

 

THE MORNING OF THE MAGICIANS

Lois Pauwels and Jacques Bergier

1963

Page 226

The 'Sun' was the fixed centre round which the electrons revolve"

 

 

THE SUPERGODS

Maurice M Cotterell

1997

Page 110

And I saw another angel ascending from the East, having the seal of the living God: and he cried with a loud voice to the four angels, to whom it was given to hurt the Earth and the sea, saying 'Hurt not the Earth, neither the sea, nor the trees, till we have sealed the servants of our God in their foreheads: And I saw the number of them which were sealed; and there were sealed an hundred and forty, and four thousand of all the tribes of the childrel} of Israel. (Rev VII 3,4)
It goes on, 'And it was commanded them that they should not hurt the grass of the Earth, neither any green thing, neither any tree, but only those men which have not the seal of God on their foreheads...' (Rev IX, 4).
Look again at The Physical Death of Lord Pacal, Scene 4 (Fig 49 below). Look again at his forehead, and count the number sealed: 144,000.
Like all composites, the picture is made up of two halves which are 'reflected' either side of the centre line of the drawing. It is therefore not possible to show the number 144,000 from left to right and again (the mirror image) from right to left. To overcome this, 1440 is written from left to right. The mirror image of 1440 can be seen from right to left. The missing two zeros (in Mayan notation, an oval embellished with three lines) are shown above this number.
It seems that the man in the tomb at Palenque had much in common with the other Supergods - Jesus, Krishna and Buddha - and that he brought the same message and the same super-knowledge which has powerfully influenced the intellectual ascent of man since time began."

 

 

THE SUPERGODS

Maurice M Cotterell

1997

Page 118

"Sacrifice at first appears as penance, difficult and tortuous, attracting few followers. In the Hindu holy book, the Bhagava-Geeta, the teacher Lord Krishna supports this view saying:

Hear further the three kinds of pleasure. That which increases day after day and delivers one from misery, which at first seems like poison, but afterwards acts like nectar - that pleasure is pure, for it is born of wisdom. That which is at first like nectar, because the senses revel in their objects, but in the end acts like poison - that pleasure arises from passion. While the pleasure which from first to last merely drugs the senses, which springs from indolence, lethargy and folly - that pleasure flows from ignorance. (BG, 18:36-9)

(BG, 18:36-9)

 

 

HARMONIZED

Page number omitted

THE STUDENT'S ASSISTANT

 IN

ASTRONOMY AND ASTROLOGY

  : CONTAINING
 
 OBSERVATIONS ON THE REAL AND APPARENT MOTIONS OF THE
SUPERIOR PLANET8.-THE GEOCENTRIC LONGITUDE OF THE
       SUN AND SUPERIOR PLANETS,
              CALCULATED FOR 44 YEARS TO COME.
 Geocentric Longitude of the Planet Herschel for 100 years during the 18th Century. The Moon's Node on the first day of
         every month, from1836 to 1880. Heliocentric
and Geocentric Longitude of all the f
PLANETS' ASCENDING AND DESCENDING
NODES
LONGITUDE, LATITUDE, AND MAGNITUDE OF  ONE HUNDRED AND
FORTY-FOUR FIXED STARS, FOR PAST AND  FUTURE YEARS.
        Eclipses of the Sun visible in England.
 ALSO
           A DISCOURSE ON THE HARMONY OF
PHRENOLOGY, ASTROLOGY, AND PHYSIOGNOMY.
BY J.T. HACKET.
LONDON:
BRAY AND KING, 55, ST. MARTIN'S LANE,
         AND  E. GRATTAN, 51, PATERNOSTER ROW.
Milton Press J. Nichols, 9, Chandos Street. Strand.

PREFACE

"A work of this kind may not be so amusing to some individuals as a pleasing romance; yet it is hoped will prove to the Astronomical Stu-dent and learner, gratifying and instructive. At  the request of a select number of students, the present laborious calculations were made, in order to give others and themselves an opportunity of more perfectly understanding the apparent motions of the superior Planetary bodies herein mentioned, together with an illustration of the various phenomena the above planets present to us, the observers on this Earth, caused by the revolution of the planets and the earth, around the Sun, as the centre and great point of attraction tion to the Solar System. I have given a correct Table of the longitude and latitude of 144 fixed stars, calculated up to1836 ,..."

Page 9 (number omitted)

INTRODUCTION TO ASTRONOMY.

"THIS Introduction is merely intended to con-vey a sufficient idea to those who are not already acquainted with the solar system, the propor-tional distances of the Planets' orbits from the Sun, and the Earth, together with the apparent motions of the superior planets, as viewed from this Earth, called their geocentric places or motions. The path of the Planets or circles which their orbits describe in the heavens, is called the Zodiac. Suppose it a belt 20° wide with the Ecliptic, orbit, or path of the Earth in the centre thereof; in as much as a planet's orbit differs from the exact plane of the Ecliptic, or orbit ,of the Earth, so much is the planet's latitude in degrees and minutes; the points where these imaginary circles intersect the Ecliptic, are cal!ed the nodes: The ascend-ing node is that point which the planet enters / Page 10 / for north latitude, the opposite is the descending node for south latitude. The Zodiac is divided into 12 Constellations, called signs, each sign divided into 30 degrees, each degree into minutes and seconds."

 

 

THE TUTANKHAMUN PROPHECIES

Maurice Cotterell 1999

Page 193

" The centre of Solomon's courtyard contained a perfect cube, the 'holy of holies', the solid gold 'Oracle' encrusted in jewels. The inner / Page 194 / temple was a marvel of courtyards and balconies, adorned with 1,453 magnificently sculpted Parisian-marble columns, 2,906 decorated pilasters and statues of stone and metal. The buildings and courtyards could hold an estimated gathering of 300,000.

Anderson's Constitutions of the Freemasons (1723) comments:

. . . the finest structures of Tyre and Sidon could not be compared with the Eternal God's Temple at Jerusalem. . . there were employed 3,600 Princes, or 'Master Masons', to conduct the work according to Solomon's directions, with 80,000 hewers of stone in the mountains ('Fellow Craftsmen'), and 70,000 labourers, in all 153,600, besides the levy under Adoniram to work in the mountains of Lebanon by turns with the Sidonians, viz 30,000 being in all 183,600..."

183,600
"...According to the Biblical account, Chiram returned home following completion of the temple, although according to A. E. Waite (New Encyclopaedia of Freemasonry);

The legend of the Master Builder is the greatest allegory of Masonry. It happens that this figurative story is grounded on the fact of a personality mentioned in Holy Scripture, but this historical background is of the accident and not of the essence; the significance is in the allegory and not in any point of history which may lie behind it."

 

 

JUST SIX NUMBERS

Martin Rees 1999

A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "

 

 

HARMONIC 288

Bruce Cathie

1977

"(144 is the harmonic of the speed of light) and 6942 is the harmonic reciprocal."

Page 95

"The value that I calculated for length was extremely close to that.of the one published in Davidson and Aldersmith's book, their value being 1836 inches, and my theoretical value 1833,46 geodetic inches."

"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted) Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron..."

 

153 x 12 = 1836

1 x 8 x 3 x 6 = 144

 

HARMONIC 288

Bruce Cathie

1977

"(144 is the harmonic of the speed of light) and 6942 is the harmonic reciprocal."

11 SAGITTARIUS 144 45 9

11 TUTANKHAMUN 144 36 9

11 SERENDIPITY 144 63 9

 

 

HARMONIC 288

Bruce Cathie

1977

Page 95

"The value that I calculated for length was extremely close to that.of the one published in Davidson and Aldersmith's book, their value being 1836 inches, and my theoretical value 1833,46 geodetic inches.
A considerable amount of time was required to calculate a satisfactory value for the length of the Gallery. I eventually found that the amount of hollowing-in at the base provided the ,clue. If 57.6 (the amount in inches by which the base is inset) is divided by pi or 3.1415927, the resulting value is 18.334649. The harmonic equivalent of 1833.46 when applied to Gallery length would ensure that the wave-forms set up in the cavity were finely tuned to light frequencies.

A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted) Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron..."

 

 

HARMONIC 288

Bruce Cathie

1977

EIGHT

THE ATOMIC TABLE OF ELEMENTS AS A HARMONIC SERIES

Page 54

"NATURAL LAW IS NOT ERRATIC. The universe does not rely on chance to manifest within itself the physical substance which we perceive, and call reality. A very strict and ordered system of mathematical progressions is necessary to create the smallest speck of matter from the primeval matrix of space.
During my years of research into the complexities of the earth grid system I have gradually built up a picture in my mind of the possible geometric combinations necessary to form matter from resonating, interlocking wave-forms. My limited abilities in the various academic fields have made this task a taxing one at times, but I think I have discovered how to apply the original values, published in my first two books, in a practical mathematical sense, to build up a model which 'demonstrates the harmonic formation of matter.
This model indicates to me that the number of individual elements to be found in the universe will be 144. Each of these elements will have, in theory, six isotopes, which will make up a completed table of separate substances numbering 1008. An isotope is an atom of the same element which has a different nuclear mass and atomic weight.
Mathematically, the progression would create 144 octaves of separate substances giving a theoretical value of 1152. The differen~ between the total number of substances (1008) and the harmonic value in octaves (1152) would be 144, the light harmonic. The table of elements, in octaves, would create a cycle which would be in perfect resonance with the harmonic circumference of every atom from which it is constituted. It will be demonstrated that the harmonic circumference of every atom is 1152 units.
 The harmonic values which create the geometric structure of matter can all be derived from the basic harmonic of the speed of light, 144. I have shown in Chapter Four how all the spherical / Page 54 / bodies in the universe are precipitated from space by resonances tuned to the reciprocal harmonic of light (6944). This applies to an atom and to the largest of planetary bodies, as the geometric harmonic diameter of any sized sphere has a constant harmonic affinity with the light reciprocal.
Once the precipitation of physical matter has occurred, the buildup of the substances we know as the elements takes place, according to a very well-ordered mathematical sequence. Light- waves, guided seemingly by superior intelligence, form intricate interlocking grid patterns which graduate from the simple to the more complex, as the elements from hydrogen, at the l°v:'er end of the scale, to element 144, come into being.
When we think of reality we must think of mass in relation to any physical manifestation, and the smallest particle of physical matter that we are aware of is the electron. Therefore, electron mass must be the starting point in our quest for a feasible theory to explain the structure of matter. The physics books give the best experimental value for rest mass of 9.11 x 10-31 kg for the electron, (9.2 x 10-31 in some physics books) and all modern- day calculations for mass and energy have a relationship relative
to this figure. To form the basis for a harmonic series we must , find a mass number for the electron which can be derived directly! from the harmonic of light, 144.
The mathematical analysis I carried out on the Great Pyramid, gave me the first clues upon which to base a unit for electron
mass that would show connecting relationships throughout the atomic scale. The theoretical figure proved to be 9.24184 units.
This was a fairly close approximation to the harmonic equiva-lent of 9.11 found by scientific experiment. A difference of 1.426 per cent.'
To form an atomic structure, the electron mass unit must have some sort of constant mass ratio in relation to the protons which form the nucleus of an atom. Most textbooks give an experi- mental value for this ratio of 1836 units. I found again from my work on the Pyramid that the most likely true value was 1833.464944 units. This turned out to be the theoretical length of the Grand Gallery in geodetic inches, and indicated to me that the Gallery was in fact constructed as a wave guide, tuned to light harmonics." 

Page 95

"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book their value being1836 inches, and my theoretical value 1833.46 geodetic inches..."

"...A search of my physics books revealed that1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted)Page 97 /ratio of the positive hydrogen ion, i.e. the proton to the electron."

Page 86

"A further interesting comment was found in the preface to the third edition of Davidson and Aldersmith's book on the Great Pyramid. The religious symbolism of the displacement factor (the "hollowing-in" of the sides of the pyramid during construction) was discussed as follows: "This aspect of the structural allegory throws a flood of light upon an element of the scriptural allegory that clearly refers to the completion of 'all the building'
. . . 'unto the measure of the fullness of the stature', required by the design. This concerns the symbolic '144000 . . . redeemed
from among men. . . without fault before the throne of God'
(Rev XIV, 1':'5); 'Living stones' . . . without flaw for the perfect casing."
It is the symbolic 144000 that appears to have great signifi-cance in the ancient writings and it is interesting to note that this particular value has been connected in some way by other researchers to the enigma of the Great Pyramid. Considering that the angular velocity of light value in grid seconds is also 144000, as postulated in other sections of this book, it is obvious to me that the structure is in fact a measure of light, and by applying this value it should be possible to solve the mathematical puzzle which has been handed down to us."

 

 

HARMONIC 288

Bruce Cathie

1977

EIGHT

THE MEASURE OF LIGHT

Page 80

" THE OBELISK RISING majestically from the sandswept plain has been visible to man for many centuries. Its massive bulk and geometric simplicity of shape have caused wonder and endless speculation to countless generations of wise men throughout history. The meaning, or reason, for such a structure has been lost and those responsible for the building of an edifice such as this must have been in possession of extremely advanced scientific knowledge. Were they an advanced race of this world who destroyed themselves by unwise manipulation of their own scientific achievement? Or, so-called gods? Or, people from other worlds who left amongst us an almost indestructible repository of advanced knowledge in the mathematical com-plexities of the universe?
The obelisk I speak of is not the cold, black, forbidding obelisk depicted in Stanley Kubrick's movie 2001, but a pyramid of shining splendour built on a rocky mile-square plateau ten miles west of Cairo, The plateau is known as Giza; the pyramidal structure of an estimated two-and-a-half million blocks of granite and limestone, is the

 

"Great Pyramid of Cheops",     Page 95 "The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being1836 inches, and my theoretical value 1833.46 geodetic inches.
A considerable amount of time was required to calculate a satisfactory value for the length of the Gallery. I eventually found that the amount of hollowing-in at the base provided the clue. If 57.6 (the amount in inches by which the base is inset) is I divided by pi or 3.1415927, the resulting value is 18.334649. The harmonic equivalent of 1833.46 when applied to Gallery length would ensure that the wave - forms set up in the cavity were finely tuned to light frequencies.
A search of my physics books revealed that1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram omitted)) / Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron. tf we dare to assume that the value, of 1833.46 is the true geometric ratio then the wave-forms in the Gallery will also have a harmonic affinity with the structure of the atom, the building block of the universe itself. Pressing on with this train of thought I again consulted a book on atomic physics and found that the mass of the electron is given as 9.2 x 10-31 kilo- grammes. I believe that, according to the clues presented by the Pyramid, the true value of electron mass, in the harmonic sense, could be taken as a standard of 9.24184 x 10-31 kilo- grammes." 

 

 

THE JUPITER EFFECT

John Gribbin and Stephen Plagemann 1977

Page 122

"Seventeen 'major historical earthquakes' are referred to in the report all of which occurred since 1836"

 

 

HARMONIC 288

Bruce Cathie

1977

EIGHT

THE MEASURE OF LIGHT


Page 95


"The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities."


Page 95

"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being 1836 inches,"

Page 95/97

"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / ratio of the positive hydrogen ion, i.e. the proton, to the electron."

 

 

THE TUTANKHAMUN PROPHECIES

Maurice Cotterell

Page 195

"Anderson's Constitutions of the Freemasons (1723) comments:
. . . the finest structures of Tyre and Sidon could not be compared with the Eternal God's Temple at Jerusalem. . . there were employed 3,600 Princes, or 'Master Masons', to conduct the w,ork according to Solomon's directions, with 80,000 hewers of stone in the mountains ('Fellow Craftsmen'), and 70,000 labourers, in all 153,600, besides the levy under Adoniram to work in the mountains of Lebanon by turns with the Sidonians, viz 30,000 being in all 183,600."

"being in all 183,600."

 

 

JUST SIX NUMBERS

The Deep Forces that Shape the Universe

Martin Rees

1
999

OUR COSMIC HABITAT 1 PLANETS STARS AND LIFE

A COMMON CULTURE WITH ALIENS

 

Page 21

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "

Page 21 / 22

"...A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelligence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons.A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"

Page 21

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "

 

 

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30/08/2016 to 02:40. Texas Constitution 1836 Pinned From ...

 

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5
5
5
-
-
-
5
-
N
=
5
-
1
N
14
5
5
-
-
-
5
-
C
=
3
-
1
C
3
3
3
-
-
3
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
S
=
1
-
1
S
19
1
1
-
1
-
-
-
-
-
36
-
9
SEQUENCES
108
36
36
-
2
6
20
8
-
-
4+1
-
-
1+0+8
3+6
3+6
-
-
-
2+0
-
-
9
-
9
SEQUENCES
9
9
9
-
2
6
2
8

 

 

-
-
-
-
-
TUTANKHAMUN
-
-
-
T
=
2
-
1
T
20
2
2
U
=
3
-
1
U
21
3
3
T
=
2
-
1
T
20
2
2
A
=
1
-
1
A
1
1
1
N
=
5
-
1
N
14
5
5
K
=
2
-
1
K
11
2
2
H
=
8
-
1
H
8
8
8
A
=
1
-
1
A
1
1
1
M
=
4
-
1
M
13
4
4
U
=
3
-
1
U
21
3
3
N
=
5
-
1
N
14
5
5
4
4
36
4
11
TUTANKHAMUN
144
36
36
-
-
3+6
-
1+1
-
1+4+4
3+6
3+6
-
-
9
-
2
TUTANKHAMUN
9
9
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
TUTANKHAMUN
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
36
4
11
TUTANKHAMUN
144
36
36
-
2
6
6
4
10
6
7
8
9
-
-
3+6
-
1+1
-
1+4+4
3+6
3+6
-
-
-
-
-
1+0
-
-
-
-
-
9
-
2
TUTANKHAMUN
9
9
9
-
2
6
6
4
1
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
TUTANKHAMUN
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
-
-
36
4
11
TUTANKHAMUN
144
36
36
-
2
6
6
4
10
6
7
8
9
-
-
3+6
-
1+1
-
1+4+4
3+6
3+6
-
-
-
-
-
1+0
-
-
-
-
-
9
-
2
TUTANKHAMUN
9
9
9
-
2
6
6
4
1
6
7
8
9

 

 

THE TUTANKHAMUN PROPHECIES
Maurice Cotterell
1
999
BEHIND THE WALL OF SILENCE

Page 190

The holy number of sun-worshippers is 9, the highest number that can be reached before becoming one (10) with the creator. This is why Tutankhamun was entombed in nine layers of coffin. This is why the pyramid skirts of the two statues, guarding the entrance to the Burial Chamber, were triangular (base 3), when the all-seeing eye-skirt of Mereruka contained a pyramid skirt with a base of four sides. The message concealed here is that the 3 should be squared, which equals 9"


"The message concealed here is that the 3 should be squared, which equals 9"

 

 

STEPHEN HAWKING

Quest for a theory of everything

Kitty Ferguson 1991

Page 103

"The square root of 9 is three. So we know that the third side.' (line ends)

There are 13 words and number 9 in the 33rd line down of page 103

 

 

URI
Andrija Puharich

Copyright 1974 By Lab Nine Ltd

Page 132

"This is how we remembered it at the time: Abraham was living near Hebron at Mamre. He was lying in his tent in the heat of the day when three men appeared before him. They seemed to be real men. Abraham treated them hospitably with food and drink as though they were real men. Then one of them predicted that Sarah, who was around ninety years old, would have a child. She, of course, laughed this off as blarney. The three men indicated that they were on a serious mission for the Lord."

 

 

MARIO AND THE MAGICIAN

AND OTHER STORIES

Thomas Mann 1875 - 1955

Page366

"You speak of Nature, but you strike her in the face with your demands, you want me to strike her in the face, by stifling the spring of pain with which she has miraculously blest my soul! What a sin that would be, what ingratitude, what disloyalty to her, to Nature, and what a denial of my faith in her beneficent omnipotence! You remember how Sarah sinned? She laughed to herself behind the door and said: "After I am waxed old shall I have pleasure, my lord being old also?" But the Lord God was angry and said: "Wherefore did Sarah laugh?" In my opinion, she laughed less on account of her own withered old age than because her lord, Abraham, was likewise so old and stricken in years, already ninety-nine. And what woman could not but laugh at the thought of indulging in lust with a ninety-nine year-old man, for all that a man's love life is less strictly limited / Page367 than a woman's. But my lord is young, is youth itself, and how much more easily and temptingly must the thought come to me "

"Abraham, was likewise so old and stricken in years, already ninety-nine"

"...with a ninety-nine year-old man"

 

 

MINDOTHDREAMWHATDOTHMINMEAN

 

 

TUTANKHAMEN

Christiane Desroches-Noblecourt 1963

Page177

"The red oxen had been left behind; now the "Nine Friends" and the two viziers-of the North and South- drew the ropes attached to the bier behind which followed a last high dignitary of the royal procession."

Page158 (Chapter 7) 1343

The death of the king and preparations for immortality

"Analysis of his mummy shows that Tutankhamen was between eighteen and twenty years old when he died. This allows one to set the approxi-mate date of his coronation in his ninth year, since there is no date mentioned in connexion with him after year 9 which appears on wine jars found in his tomb."

 

 

THE NEW BOOK OF REVELATION

INNER LIGHT PUBLICATIONS 1995

COMPILED BY TUELLA

THE

HOLY

999

Page 32

Part 6 "3. You have finally located in your search the only passage or use of the number 666 in the entire written record. In vain did you search for another, for no other corresponding witness exists anywhere. For it is here at this point in the record (Rev. 13:18) that the perversion of this number made entry, calculated and deliberate in its destructive intent. In the (four) references to this subject that follow, the number becomes a mark that is not My Seal. The few references that follow go on to expand the prized lie that it is the "mark of the beast" and even that it appears in the forehead as well as the hand. Once an awareness is born of these interferences and the motive, the entire proposal is clearly exposed.

4. The number 999 is identified as truly of My Kingdom. It represents a Divine number of the Creation of Life itself in this and other Universes. This is a widely known fact in other worlds. It is a code number within the consciousness of many who have come to Page 32 / this planet to serve the father, and who are actual extensions of myself. To disguise this number as a mark of the fallen ones has dia-bolically and thoroughly confused the souls of this planet, but it was easily accomplished by another source simply by inverting the number upside down."

Page 32

Part 6

"...3. You have finally located in your search the only passage or use of the number 666 in the entire written record. In vain did you search for another, for no other corresponding witness exists any- where. For it is here at this point in the record (Rev. 13:18)..."

4. The number 999 is identified as truly of My Kingdom. It represents a Divine number of the Creation of Life itself in this and other Universes."

"...but it was easily accomplished by another source simply by inverting the number upside down."

simply by inverting the number upside down."

 

 

DICTIONARY OF SCIENCE

Siegfried Mandel

1969

Page number (omitted)

"Appendix 5. Symbols Atomic Numbers, and Atomic Weights of Elements (1947)

 Dysprosium . Symbol Dy . Atomic Number 66 . Atomic Weight of Elements 162.46

Einsteinium . Symbol Es . Atomic Weight 99 . Atomic Weight of Elements 253"

Alphabetical sequence as presented in book

 

CIRCLE = 5 5 = CIRCLE

 

 

LOVE DIVINE IS 99 99 IS LOVE DIVINE

ADD TO REDUCE REDUCE TO DEDUCE

ESSENCE OF NUMBER

 

 

THE NUMERICAL ROOT VALUE OF THE ENGLISH ALPHABET

ISISIS

9

A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z

1+2+3+4+5+6+7+8+9+10+11+12+13+13+15+16+17+18+10+20+21+22+23+24+25+26

First Total = 351 3+5+1 = 9

 

 

A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z

1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8

Second Total 126 1+2+6 = 9

 

 

i

THE

BLESSED

9

unless integral to quoted work.

all arithmetical machinations, emphasis,

comment, insertions subterfuge and insinuations

are those of the Zed Aliz Zed as recorded by the far yonder scribe.

 

 

STORM ON THE SUN

HOW THE SUN AFFECTS LIFE ON EARTH

Joseph Goodavage

1979

Page 5

THE STAR

Chapter 1

"Eliminate the impossible. Whatever remains, however improbable must be true"

Sherlock Holmes

 

The Seven Secrets of How toThink Like a Rocket Scientist
As Sherlock Holmes told Dr. Watson, “When you eliminate the impossible—whatever remains—however improbable, must be true.” I submit that it would be ...
www.scribd.com/.../The-Seven-Secrets-of-How-toThink-Like-a-Rocket-Scientist - Cached - Similar

 

 

Adherents.com - Religious Groups in Literature
The Sherlock Holmes maxim: Eliminate the impossible; whatever remains, however improbable, must be true. " literature - Sherlock Holmes, galaxy, 2365 ... www.adherents.com/lit/Na/Na_301.html - Cached - Similar

 

 

NEW SCIENTIST

nothing

From absolute zero to cosmic oblivion - amazing insights into nothingness

edited by Jeremy Webb

Surprises

Sherlock Holmes put it like this: 'When you have eliminated the impossible, whatever remains, however improbable, must be the truth.' Science has delivered more than its fair share of improbable, not to say mind-boggling explanations. Who would have guessed that something as seemingly simple as a vacuum would turn out not to be empty at all, that words really can kill and that the secret to a robust understanding of numbers is the absence of them?

 

 

FINGERPRINTS OF THE GODS

G Hancock

1995

Page 287

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics."

"Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3"

 

 

"WHAT ONE WOULD LOOK FOR THEREFORE WOULD BE A UNIVERSAL LANGUAGE

THE KIND OF LANGUAGE COMPREHENSIBLE TO ANY TECHNOLOGICALLY ADVANCED SOCIETY IN ANY EPOCH"

"SUCH LANGUAGES ARE FEW AND FAR BETWEEN BUT MATHEMATICS IS ONE OF THEM"

 

 

WITH EPISODIC SENSE OF DE JAVU THE FAR YONDER SCRIBE AND OFT TIMES SHADOWED SUBSTANCES

WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER THE SACRED NUMBERS AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROW OF THE NINTH ARM WHEN IN CONJUNCTION SET THE FAR YONDER SCRIBE MADE

RECORD OF THE FALL

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924
 
Penguin Modern Classics

The cover of this edition shows a detail from 'Dent du Midi' by Oskar Kokoschka.

There are seven chapters contained in the story of The Magic Mountain.
 
Forward. Page XII. Counting from the front cover to the back. On the seventh page the following quote.

"Not all in a minute then, will the narrator be finished with the story of our Hans. The seven days of a week will not suffice, no, nor seven months either. Best not too soon make too plain how much mortal time must pass over his head while he sits spun round in his spell. Heaven forbid it should be seven years!

 

 

JOSEPH AND HIS BROTHERS

THE TALES OF JACOB

Thomas Mann 1933

Page 174

OF THE LONG WAITING

"...This man had said to that man: Give me thy daughter to wife, and the other man had answered: What wilt thou give for her? And the other man had had nothing. Then the above mentioned man had said: Seeing that thou canst pay no dowry nor any presents to hang at the bride's girdle at the betrothal, thou shalt serve me for as many years as the week hath days."
 
"...Then said the other man: So be it. In the name of the king, so be it. Each side took one of the contracts."
 
"...The agreement was sensible, the judge found it fair, and from the business side, Jacob himself had not much to complain of. If he owed his uncle a mina of silver at sixty shekels, seven years' labour would not suffice to pay the debt, for the average wage for a labourer was seven shekels a year, and seven of them would not make up the sum. He felt profoundly that the economic point of view was a very deceptive one; that if there were a just scale, a God's scale, as it were, the side with the seven years would have made the side with the / Page 175 / shekels fly up into the air. But after all, he would spend these years in Rachel's company and thus love's sacrifice would be mingled with much joy."
 
Page 175  

"...Seven years! Seven years they must wait for each other."
 
"...As for the seven years, they were even now in the process of being lived down."
 
"...Jacob suppressed the thought in his mind. This he did and so too should the narrator, and not imagine that he can pass over and obliterate the time with a little sentence like "Seven years went by." It is the story-tellers way to say things like that."
 
"...And even pass as though they had been seven days. For such is the tradition: that the seven years before which Jacob had at first quailed with fear, passed by like days."
 
"...What we have here is certainly no "seven-sleeper" enchantment, nor, indeed, any other kind, save that of time itself, whose larger units pass as do the smaller ones, neither slow nor fast, but simply pass."
 
Page 176
 
"...Jacob did not say that seven years went as fast as days"
 
"...Thus it was Jacob said that seven years, to him, like days."
 
"...Seven days may under some circumstances be harder to swallow, a more daring adventure in time than seven years."
 
"...And if we look back, lo, the point where we stepped in is "far back" it is, for instance seven years away, years that have passed like days."
 
"...No one says that Jacob undertook and entered upon his seven years with joy, for only after they had passed might he beget children with Rachel."
 
"...And thus seven years to him, while not so little as seven years in the sight of God, were yet not nearly so much to him as to one who should live but fifty or sixty years."
 
Page 176 / 7
 
"...Pure waiting is torture; no one could bear to sit seven years, or seven days."

 

 

JOSEPH AND HIS BROTHERS

THE TALES OF JACOB

Thomas Mann 1933

Page 980

THE TIME OF ENFRANCHISEMENT

SEVEN OR FIVE

 "...What would have become of us, for instance when Jacob was serving with the Devil Laban, seven and thirteen and five - in short, twenty-five years."
 
"...And what would become of us now without that reasonable principle, when our little bark, driven by the measuredly moving stream of narration, hovers again on the brink of a time-cataract of seven and seven prophesied years? Well, to begin with, and just amongst ourselves: in these fourteen years things were neither quite so definitely good nor so definitely bad as the prophecy would have them."
 
"...For the sake of the prophecy they are willing to agree that two and two make five - if the phrase may be used in a context where not five but an even higher odd number, namely seven, is in question. Probably this would constitute no great difficulty, five being almost as respectable a number as seven; and surely no reasonable man would insist that five instead of seven could constitute and inexactitude. In fact and in reality the prophesied seven looked rather more like five."
 
"...Among the fat ones were one or two which might have been described as certainly not lean, but to a critical eye as certainly no more than very moderately fat. The lean ones were all lean enough, at least five of them, if not seven;"

 

 

THE MAN WHO LOVED ONLY NUMBERS

Paul Hoffman

1

999

Page 217

"Mathematicians in India in the sixth century had developed a place value system and introduced the concept of a zero to keep their symbols in their proper places. Thus a 1 with an 0 after it, or 10, is a very different number from a 1 alone. Erdos, who always joked that he was old and stupid, said the Indians were very clever, not just in their discovery of zero, but in their choice of similar- sounding Hindi words for stupid person (buddhu) and old person (buddha).

In the seventh century, Hindu scholars introduced Islam to the Indian number scene, and the ideas of zero / Page 216 ( omitted) and place value spread rapidly throughout the Arabic world. Six centuries later, Fibonacci was so impressed with the ease of the Hindu-Arabic numerals that he wanted to make Pisan merchants aware of them. In 1202, he wrote Liber abaci (Book of the Abacus), which, despite the title had little to do with the Abacus and a lot to do with liberating computations from the yoke of Roman numerals. The book seems quaint from the vantage point of the twentieth century, because it explains what we take for granted.

"The nine Indian figures are: 9 8 7 6 5 4 3 2 1 , and with the sign Zero. . . any number can be written."

According To The Evidence
Erich Von Daniken

Page 28

In 1960, Hans Freudenthal, a mathematician at the Uni-versity of Utrecht, Holland, presented a mathematical lan- guage worked out to the last detail. (4) It is transmitted on radio impulses, but unlike many previous brainwaves coud not possibly be
misunderstood by any technically informed living being
    Freudenthal's starting point is quite simple. Whatever the aliens may look like as highly advanced intelligences they will be able to build radio-telescopes, because they, like ourselves, want interstellar communication. Anyone who has know-ledge necessary to build a radio-telescope, will be familiar with electronics and that is not conceivable without a mastery of the rules and formulae of mathematics. In other words mathematics is the multiplication table of an intercosmic language.    
    We use the decimal system. It is not unreasonable to assume that our ten fingers supplied a natural calculating machine  

/ Page 29   /

machine for it. We imported this system about 600 B.C. from India where it had developed from the Brahman method of writing numerals. Egyptian hieroglyphs stood for 1, 10, 100, 1000 etc."
"...So we can guarantee that the binary system is practicable. It works with the basic figure 2. The advantage of the binary system is that every number can be formed from the product of the numbers 0 and 1:  

1
10
11
100
101
110
111
1000
1001
1010
1011
1100
1101
1110
1111
10000
10001
and so on.

for one
for two
for three
for four
for five
for six
for seven
for eight
for nine
for ten
for eleven
for twelve
for thirteen
for fourteen
for fifteen
for sixteen
for seventeen

1111110111111
1111101011111
1111011101111
1111101011111
1111110111111
1111110111111
1111000011111
1110000000111
1101000001011
1011000001101
1111000001111
1111000001111
1110011100111
1110011100111
1110011100111
1110011100111
1110011100111

 
   The binary system became the language for all computers, which can claim to be faultless because there are never more than two possibilities: 1 or 0, good or not good, right or not right, yes or no."

 

 

From: Andy McTiernan
Sent: Friday, August 26, 2016 8:32 PM
To: Dave Denison
Subject: alphabet in binary

 

ALPHABET IN BINARY, CAPITAL LETTERS

A 01000001
B 01000010
C 01000011
D 01000100
E 01000101
F 01000110
G 01000111
H 01001000
I 01001001
J 01001010
K 01001011
L 01001100
M 01001101
N 01001110
O 01001111
P 01010000
Q 01010001
R 01010010
S 01010011
T 01010100
U 01010101
V 01010110
W 01010111
X 01011000
Y 01011001
Z 01011010

ALPHABET IN BINARY, LOWER CASE

a 01100001
b 01100010
c 01100011
d 01100100
e 01100101
f 01100110
g 01100111
h 01101000
i 01101001
j 01101010
k 01101011
l 01101100
m 01101101
n 01101110
o 01101111
p 01110000
q 01110001
r 01110010
s 01110011
t 01110100
u 01110101
v 01110110
w 01110111
x 01111000
y 01111001
z 01111010

 

 

 

BINARY SYSTEM

B
=
2
-
6
BINARY
69
33
6
S
=
1
-
6
SYSTEM
101
20
2
-
-
3
-
12
Add to Reduce
170
53
8
-
-
-
-
1+2
Reduce to Deduce
1+7+0
5+3
-
-
-
3
-
3
Essence of Number
8
8
8

 

 

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Heebie-jeebies or heebie jeebies may refer to: Heebie-jeebies (idiom), used to describe a feeling of anxiety, apprehension, depression or illness. "Heebie ...

Heebie-jeebies

From Wikipedia, the free encyclopedia

Look up heebie-jeebies in Wiktionary, the free dictionary.

Heebie-jeebies or heebie jeebies may refer to:
Heebie-jeebies (idiom), used to describe a feeling of anxiety, apprehension, depression or illness.
"Heebie Jeebies" (composition), a 1926 single by Louis Armstrong and his Hot Five
Heebie Jeebies (film), a 2005 film
"Heeby-Jeebies", a 1956 single by Little Richard
The Hee Bee Gee Bees, a comedy parody of the Bee Gees

 

 

www.phrases.org.uk › Phrase Dictionary - Meanings and Origins

Heebie-jeebies - the meaning and origin of this saying

Heebie-jeebies
Meaning
A feeling of anxiety, apprehension or illness.
Origin

The sound of this term seems to hark back to earlier rhyming phrases, like hocus-pocus and mumbo-jumbo, with a touch of the jitters thrown in. The meaning is more like the British term - the screaming habdabs.

Heebie and jeebie don't mean anything as independent words and heebie jeebies was coined at a time and place when there was a spate of new nonsense rhyming pairs, called rhyming reduplications, - the bee's knees, etc., i.e. 1920s USA.

The term is widely attributed to William Morgan "Billy" de Beck. The first citation of it in print is certainly in a 1923 cartoon of his, in the 26th October edition of the New York American:
"You dumb ox - why don't you get that stupid look offa your pan - you gimme the heeby jeebys!"

Heebie jeebies caught on quickly and very soon began appearing in many newspapers and works of literature in the USA and, from 1927 onward, the UK; for example, here's an entry from the Van Nuys News, 6th November 1923, just a few days after de Beck's cartoon was published:

"Bill Alton showed up poorly in center field. The boys seemed to have the heebie jeebies."

The lack of any explanation in either of the above citations seems to imply that the term would have been known to the readership of both publications by the time of printing.

The speed of take-up of heebie jeebies, in a similar way to another coinage that is attributed to de Beck - horse feathers, does suggest an origin in the media rather than street slang, which tends to spread more slowly.

The term became part of the language quickly enough for it to begin appearing in advertisements from 1924 onwards, as in this illustration from the Mexia Daily News, October 1924, in an advert for a cold cure.

 

 

Key of Solomon - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Key_of_Solomon

The Key of Solomon (in Latin: Clavis Salomonis, Hebrew: Mafteah Shelomoh [???? ????]) is a grimoire incorrectly attributed to King Solomon. It probably dates ...

 

THE KEY OF SOLOMON

 

T
=
2
-
3
THE
33
15
6
K
=
2
-
3
KEY
41
14
5
O
=
6
-
2
OF
21
12
3
S
=
1
-
7
SOLOMON
103
31
4
-
-
11
-
15
First total
198
72
18
-
-
1+1
-
1+5
Add to Reduce
1+9+8
7+2
1+8
-
-
2
-
6
Second total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
7+1
-
-
-
2
-
6
Essence of Number
9
9
9

 

The Key of Solomon (in Latin: Clavis Salomonis, Hebrew: Mafteah Shelomoh

SOLOMON SOL MOON SOL SOLOMON

 

 

A
=
1
-
3
ALL
25
7
7
U
=
3
-
5
UNDER
62
26
8
W
=
5
-
5
WATER
67
22
4
A
=
1
-
3
AND
19
10
1
N
=
5
-
6
NOBODY
75
30
3
K
=
2
-
5
KNOWS
82
19
1
T
=
2
-
6
THEY'RE
81
36
9
W
=
5
-
3
WET
48
12
3
-
-
24
-
36
First total
459
162
36
-
-
1+1
-
3+6
Add to Reduce
4+5+9
1+6+2
3+6
-
-
2
-
9
Second total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
2
-
59
Essence of Number
9
9
9

 

 

A
=
1
-
3
ALL
25
7
7
U
=
3
-
5
UNDER
62
26
8
W
=
5
-
5
WATER
67
22
4
N
=
5
-
2
NO
29
11
2
O
=
6
-
3
ONE
34
16
7
K
=
2
-
5
KNOWS
82
19
1
T
=
2
-
6
THEY'RE
81
36
9
W
=
5
-
3
WET
48
12
3
-
-
29
-
32
First total
428
149
41
-
-
2+9
-
3+2
Add to Reduce
4+2+8
1+4+9
4+1
-
-
11
-
5
Second total
14
14
5
-
-
1+1
-
-
Reduce to Deduce
1+4
1+4
-
-
-
2
-
5
Essence of Number
5
5
5

 

 

A
=
1
-
9
ANIMATING
88
43
7
P
=
7
-
9
PRINCIPLE
102
57
3
-
-
8
-
18
First total
190
100
10
-
-
-
-
1+8
Add to Reduce
1+9+0
1+0+0
1+0
-
-
8
-
9
Second total
10
10
1
-
-
-
-
-
Reduce to Deduce
1+0
1+0
-
-
-
8
-
9
Essence of Number
1
1
1

 

 

Anima - Wikipedia, the free encyclopedia

https://en.wikipedia.org/wiki/Anima

Anima may refer to: the Latin term for the "animating principle", see vitalism. the Latin translation of Greek psyche; Aristotle's treatise on the soul, de anima ...

 

 

animating principle - definition - English - Glosbe

glosbe.com › English-English Dictionary

Searching for an earlier and earlier animating principle, it is evident, without doubt, that at some ancient time that [prasiddhi] belonged to a single [being] who ...

Searching for an earlier and earlier animating principle, it is evident, without doubt, that at some ancient time that [prasiddhi] belonged to a single [being] who was omniscient by Himself [that is, not requiring any extrinsic means to know things] [...] He is Bhairava, the Supreme Lord, who is adorned with hundreds of prasiddhis, which cause enjoyments and liberations; and who is the essential nature of the recognitive apprehensions [vimarśa] which constitute those [prasiddhis].
oj4
welcomes the reference throughout the communication on the importance of partnership as an animating principle and process aspect of socio-personal engagement(s) in adult learning

Giga-fren
Kingsley Martin's comments on Montesquieu's theory of checks and balances are appropriate: "Since there is no animating principle, no directing head or organic life, the result would seem to be a motionless equilibrium.

Common crawl
Pius XII once stated: "The Faithful, more precisely the lay faithful, find themselves on the front lines of the Church's life; for them the Church is the animating principle for human society.

Common crawl
In the BodyTalk System the term innate describes the animating principle that directs the bodymind's impulse towards healing.

 

 

HUMAN BEING HUMAN

BE IN GOD IN BE

 

 

AMEN THE NAME

 

 

 

 

�
14

COMPLEX NUMBERS
180
63
9

 

 

8

INSTINCT
108
36
9
6

SORROW
108
36
9
9

TANTALIZE
108
36
9

 

 

9

BABYLONIA
81
36
9
9

CARDINALS
81
36
9
6

CERVIX
81
36
9
9

PARACLETE
81
36
9
7

PROCYON
81
36
9
7

SERVICE
81
36
9
7

SILICON
81
36
9
10

TABERNACLE
81
36
9
6

WIZARD
81
36
9

 

 

6

AVATAR
63
18
9
4

FLUX
63
18
9
6

CLOCKS
63
18
9
5

KISWA
63
18
9
5

KRSNA
63
18
9
6

MEDUSA
63
18
9
3

NYX
63
18
9
5

PLANT
63
18
9
4

RAYS
63
18
9
5

SAINT
63
18
9
7

SCARABS
63
18
9
5

SKIES
63
18
9
4

SOON
63
18
9
5

TEARS
63
18
9
4

THOT
63
18
9
5

WEEKS
63
18
9

 

 

3

ARQ
36
18
9
4

EDFU
36
18
9
4

GATH
36
18
9
3

GON
36
18
9
4

HALO
36
18
9
4

HAVE
36
18
9
3

IHS
36
18
9
4

IMAN
36
18
9
5

MAGNA
36
18
9
3

MER
36
18
9
3

MIN
36
18
9
4

NEBO
36
18
9
4

PARA
36
18
9
4

REAL
36
18
9
3

REM
36
18
9
3

SHI
36
18
9

 

 

17

EIGHTEEN THIRTY SIX
225
99
9

 

 

13

QUANTUM THEORY
198
63
9

 

 

18

THE GREAT LIBERATION
189
90
9

18

IMAGINARY NUMBERS
189
81
9

 

 

16

SODOM AND GOMORRAH
180
81
9

 

 

15

LINEAR EQUATIONS
180
72
9
18

RA PTAH AMON AMEN ATEN
180
72
9

 

 

14

COMPLEX NUMBERS
180
63
9

 

 

13

THE LAST SUPPER
180
54
9

 

 

17

THE SCHEMHAMPHORAS
180
18
9

13

HERMES MERCURY
171
72
9

 

 

11

VORTEX RINGS
171
63
9

 

 

14

STELE OF CONOPUS
171
54
9

 

 

11

PROTOPLASTS
171
45
9
12

ROSETTA STONE
171
45
9

 

 

18

TETRAKAIDECAHEDRON
162
81
9

 

 

12

LUMINIFEROUS
162
63
9
12

THE HOLY GHOST
162
63
9

 

 

13

TRANSLITERATE
162
54
9

 

 

10

SEVENTYSIX
162
45
9
10

SIXTYSEVEN
162
45
9

 

 

15

EHYEH ASHER EHYEH
153
90
9

 

 

14

PYRAMID PHARAOH
153
81
9

 

 

14

ALBERT EINSTEIN
153
63
9
15

AUM-MANI-PADME-HUM
153
63
9
15

ELECTRICAL SPARK
153
63
9
13

THERMONUCLEAR
153
63
9

 

 

11

ANDROGYNOUS
153
54
9
13

ATOMIC NUMBERS
153
54
9
10

SIXTYTHREE
153
54
9
11

SOKAR OSIRIS
153
54
9
11

SOLMIZATION
153
54
9

 

 

10

IPSISSIMUS
153
45
9
10

PUREST LOVE
153
45
9
12

QUETZALCOATL
153
45
9
11

ZARATHUSTRA
153
45
9

 

 

14

CUBO-OCTAHEDRON
144
63
9
11

SERENDIPITY
144
63
9

 

 

13

ANTI-CLOCKWISE
144
54
9
12

CRESENT MOON
144
54
9
9

FORTYFOUR
144
54
9
11

KING SOLOMAN
144
54
9
9

YOM KIPPUR
144
54
9

 

 

11

SAGITTARIUS
144
45
9
10

SEVENTYONE
144
45
9

 

 

11

TUTANKHAMUN
144
36
9

 

 

12

HIEROGLYPHIC
135
81
9

 

 

11

CRYPTOGENIC
135
63
9
11

LOVING LIGHT
135
63
9

 

 

12

WAVE PARTICLE
135
54
9

 

 

9

DIONYSIUS
135
45
9
9

NEUTRINOS
135
45
9

 

 

11

TUTANKHATEN
135
36
9

 

 

9

SHEMSU HOR
126
63
9

 

 

9

EIGHTYSIX
126
54
9
9

FIFTYFOUR
126
54
9
9

FORTYFIVE
126
54
9
9

FORTYNINE
126
54
9
10

PENIS SPINE
126
54
9
9

ROSE-CROIX
126
54
9
13

WAVE MECHANICS
126
54
9

 

 

10

ENERGY + MASS
126
45
9
10

OESOPHAGUS
126
45
9
11

SOLAR FLARES
126
45
9

 

 

8

DIONYSUS
126
36
9
9

LOST + FOUND
126
36
9
9

MOVEMENTS
126
36
9
8

NEUTRONS
126
36
9

 

 

14

DENDERAH ZODIAC
117
72
9

 

 

14

DOUBLE HELIX
117
54
9
12

THE HUMAN RACE
117
54
9

 

 

9

COMMUNION
117
45
9
8

HUMILITY
117
45
9
10

ISRAELITES
117
45
9
10

MIND MATTER
117
45
9
9

POLYGONAL
117
45
9
10

RADIO WAVES
117
45
9
10

TACHYONICS
117
45
9
8

XENOLOGY
117
45
9

 

 

7

PROTONS
117
36
9
9

THE COSMOS
117
36
9

 

 

8

CLUSTERS
117
27
9
8

CRYSTALS
117
27
9

 

 

10

ANNO-DOMINI
108
54
9
9

EIGHTYONE
108
54
9
9

FIFTYFIVE
108
54
9
9

FIFTYNINE
108
54
9
11

GEOMETRICAL
108
54
9
10

THE LORD GOD
108
54
9
9

RELEGIONS
108
54
9

 

 

9

ACROPOLIS
108
45
9
8

GEOMETRY
108
45
9
10

MELANCHOLY
108
45
9
9

MICROCOSM
108
45
9
8

NEOPHYTE
108
45
9
10

OPEN CLOSED
108
45
9
8

OSIRIS RA
108
45
9
9

PHOSPHATE
108
45
9

 

 

8

INSTINCT
108
36
9
6

SORROW
108
36
9
9

TANTALIZE
108
36
9

 

 

8

OCCULTUM
108
27
9

 

 

8

TANTALUS
108
18
9

 

 

9

CIVILIZED
99
54
9
10

GEOCENTRIC
99
54
9
10

RE HARAKHTI
99
54
9

 

 

8

EXOTERIC
99
45
9
8

FERMIONS
99
45
9
10

GODDESS GOD
99
45
9
8

REBIRTHS
99
45
9
9

THE FISHES
99
45
9
8

THIRTEEN
99
45
9

 

 

9

ASCENSION
99
36
9
8

CREATORS
99
36
9
7

CURRENT
99
36
9
7

FORTUNE
99
36
9
8

GOOD STAR
99
36
9
7

ISOTOPE
99
36
9
7

JUPITER
99
36
9
8

OMPHALOS
99
36
9
7

PHYSICS
99
36
9
8

PLUTARCH
99
36
9
10

SIDDHANTAS
99
36
9
8

SYCAMORE
99
36
9
7

THOUGHT
99
36
9

 

 

7

ANSWERS
99
27
9
7

AQUEOUS
99
27
9
8

BOUSSARD
99
27
9
8

CONDUCTS
99
27
9
7

LETTERS
99
27
9
6

PUREST
99
27
9
8

RAMESSES
99
27
9
10

TO-SA-PA-KA-NA
99
27
9

 

 

10

CONSCIENCE
90
45
9
8

CYLINDER
90
45
9
8

FOREWARD
90
45
9
8

GARGOYLE
90
45
9
10

HAR-EM-AKHET
90
45
9
9

HOLY BIBLE
90
45
9
8

HORAKHTI
90
45
9
9

LIGHT +DARK
90
45
9
7

MORNING
90
45
9

 

 

9

ALCHEMIST
90
36
9
7

EPSILON
90
36
9
8

KINETICS
90
36
9
8

KWA-OH-WAH
90
36
9
6

OXYGEN
90
36
9
7

POLARIS
90
36
9
9

PRANAYANA
90
36
9
7

SEP TEPI
90
36
9
7

SPHERES
90
36
9
6

SPHINX
90
36
9
8

THE HUMAN
90
36
9
7

THUNDER
90
36
9
8

VERTICAL
90
36
9

 

 

8

CLAUDIUS
90
27
9
7

ELEUSIS
90
27
9
7

ILLNESS
90
27
9
5

LUXOR
90
27
9
7

MAQSURA
90
27
9
7

MATTHEW
90
27
9
6

SOTHIS
90
27
9
6

SPERMS
90
27
9
7

TEMPLES
90
27
9

 

 

6

AUTUMN
90
18
9

 

 

9

BENBENNET
81
45
9
8

FORCE KIN
81
45
9
8

HARMONIC
81
45
9
9

MEDICINES
81
45
9
8

PHARISEE
81
45
9

 

 

9

BABYLONIA
81
36
9
9

CARDINALS
81
36
9
6

CERVIX
81
36
9
9

PARACLETE
81
36
9
7

PROCYON
81
36
9
7

SERVICE
81
36
9
7

SILICON
81
36
9
10

TABERNACLE
81
36
9
6

WIZARD
81
36
9

 

 

6

EVOLVE
81
27
9
8

GOD SATAN
81
27
9
5

HORUS
81
27
9
5

HOURS
81
27
9
7

MUHAMET
81
27
9
6

NETERS
81
27
9
7

SEKHMET
81
27
9
6

SIRIUN
81
27
9
6

SODIUM
81
27
9
6

SOURCE
81
27
9
6

SQUARE
81
27
9
5

THINKS
81
27
9
4

YHYW
81
27
9

 

 

6

SAMSON
81
18
9
6

VACUUM
81
18
9
5

VENUS
81
18
9

 

 

9

I CHANGING
72
54
9

 

 

8

GOG MAGOG
72
45
9
7

HOMINID
72
45
9
6

ORIGIN
72
45
9

 

 

7

CENTRIC
72
36
9
7

CONCORD
72
36
9
8

DIAGRAMS
72
36
9
7

GOLIATH
72
36
9
7

HAFNIUM
72
36
9
6

LIQUID
72
36
9
8

MAGNETIC
72
36
9
6

MICRON
72
36
9
8

MOHAMMED
72
36
9
6

REBORN
72
36
9
5

RIVER
72
36
9
7

SIDDHIS
72
36
9
6

WEIGHT
72
36
9

 

 

7

HANUMAN
72
27
9
7

I AM THAT
72
27
9
6

MONDAY
72
27
9
6

REASON
72
27
9
6

ROCKET
72
27
9
5

ROUND
72
27
9
7

THAT I AM
72
27
9
6

VERNAL
72
27
9
6

WHEELS
72
27
9
5

XENON
72
27
9

 

 

6

AMULET
72
18
9
5

LUCKY
72
18
9
8

SABBATHS
72
18
9
7

SAMSARA
72
18
9
6

SESHAT
72
18
9

 

 

8

CHANGING
63
45
9
9

FIBONACCI
63
45
9

 

 

7

ANIMATE
63
27
9
8

BACKWARD
63
27
9
6

BRAINS
63
27
9
6

CARPET
63
27
9
7

DVAPARA
63
27
9
6

ELEVEN
63
27
9
6

FAITHS
63
27
9
5

OASIS
63
27
9
5

PENIS
63
27
9
6

RE ATEM
63
27
9
5

SPINE
63
27
9
5

WHOLE
63
27
9
5

WITCH
63
27
9
4

YHVW
63
27
9
4

YONI
63
27
9

 

 

6

AVATOR
63
18
9
6

CLOCKS
63
18
9
4

FLUX
63
18
9
5

KISWA
63
18
9
5

KRSNA
63
18
9
6

MEDUSA
63
18
9
3

NYX
63
18
9
5

PLANT
63
18
9
4

RAYS
63
18
9
5

SAINT
63
18
9
7

SCARABS
63
18
9
5

SKIES
63
18
9
4

SOON
63
18
9
5

TEARS
63
18
9
4

THOT
63
18
9
5

WEEKS
63
18
9

 

 

5

TALKS
63
9
9

 

 

8

CHEMICAL
54
36
9
6

DELPHI
54
36
9
7

GABRIEL
54
36
9

 

 

6

ARCTIC
54
27
9
9

BEELZEBUB
54
27
9
6

BODIES
54
27
9
6

BREATH
54
27
9
9

DALAI LAMA
54
27
9
6

EUCLID
54
27
9
6

HEALTH
54
27
9
6

ORACLE
54
27
9
6

VAGINA
54
27
9

 

 

5

AEONS
54
18
9
5

CHESS
54
18
9
4

EYES
54
18
9
5

ISLAM
54
18
9
4

LOVE
54
18
9
4

ORBS
54
18
9
3

OUR
54
18
9
5

THETA
54
18
9
4

TONE
54
18
9
3

TYI
54
18
9
4

YUGA
54
18
9

 

 

3

SUN
54
9
9
5

TRIBE
54
9
9
4

TS'AN
54
9
9

 

 

7

ALADDIN
45
27
9
6

DHARMA
45
27
9
6

ELIJAH
45
27
9
5

ENOCH
45
27
9
4

IRAQ
45
27
9
5

NIOBE
45
27
9

 

 

5

ABOVE
45
18
9
4

GODS
45
18
9
4

IOTA
45
18
9
5

KAPPA
45
18
9
4

KITE
45
18
9
4

PTAH
45
18
9

 

 

4

EAST
45
9
9
6

SABBAT
45
9
9
4

TALL
45
9
9

 

 

4

BI PI
36
27
9
4

HAIR
36
27
9
4

HARI
36
27
9
3

IRI
36
27
9
6

MAGEIA
36
27
9

 

 

3

ARQ
36
18
9
4

EDFU
36
18
9
4

GATH
36
18
9
3

GON
36
18
9
4

HALO
36
18
9
4

HAVE
36
18
9
3

IHS
36
18
9
4

IMAN
36
18
9
5

MAGNA
36
18
9
3

MER
36
18
9
3

MIN
36
18
9
4

NEBO
36
18
9
4

PARA
36
18
9
4

REAL
36
18
9
3

REM
36
18
9
3

SHI
36
18
9

 

 

3

ANU
36
9
9
5

ASANA
36
9
9
4

FEET
36
9
9
3

LAW
36
9
9
2

OU
36
9
9
3

TAO
36
9
9

 

 

4

ACRE
27
18
9
4

CHAO
27
18
9
5

DALAI
27
18
9
3

DOH
27
18
9
3

EGO
27
18
9
4

HALF
27
18
9
4

INCA
27
18
9
4

RACE
27
18
9
3

RED
27
18
9

 

 

4

BALL
27
9
9
3

FAT
27
9
9
3

GAS
27
9
9
4

LAMA
27
9
9
3

MAM
27
9
9
3

OAK
27
9
9
4

SAFA
27
9
9

 

 

3

DIE
18
18
9
4

HEAD
18
18
9

 

 

2

EM
18
9
9
4

GAIA
18
9
9
2

ME
18
9
9

 

 

3

ADD
9
9
9
3

DAD
9
9
9
2

HA
9
9
9
1

I
9
9
9

 

 

5

HORUS
81
27
9
4

PTAH
45
18
9
7

SEKHMET
81
27
9
6

SESHAT
72
18
9
5

MAGNA
36
18
9
14

DENDERAH ZODIAC
117
72
9
14

PHARAOH PYRAMID
153
81
9
11

TUTANKHAMUN
144
36
9
11

TUTANKHATEN
135
36
9
3

TYI
54
18
9
3

MIN
36
18
9
9

SHEMSU HOR
126
45
9
6

NETERS
81
27
9
3

ANU
36
9
9
6

SIRIUN
81
27
9
8

RAMESSES
99
27
9
5

OASIS
63
27
9
8

HORAKHTI
90
45
9
10

RE HARAKHTI
99
54
9
12

HIEROGLYPHIC
135
81
9
18

RA PTAH AMON AMEN ATEN
180
72
9
11

SOKAR OSIRIS
153
54
9
8

OSIRIS RA
108
45
9
6

SOTHIS
90
27
9
14

PYRAMID PHARAOH
153
81
9
8

NEOPHYTE
108
45
9
6

AMULET
72
18
9
3

ARQ
36
18
9
10

HAR-EM-AKHET
90
45
9
3

RED
27
18
9
7

SEP TEPI
90
36
9
6

SPHINX
90
36
9
3

SUN
54
9
9
8

SYCAMORE
99
36
9
5

PENIS
63
27
9
6

VAGINA
54
27
9
4

RAYS
63
18
9
8

BOUSSARD
99
27
9
14

STELE OF CONOPUS
171
54
9
12

ROSETTA STONE
171
45
9
7

SCARABS
63
18
9
4

EDFU
36
18
9
3

OAK
27
9
9
9

BENBENNET
81
45
9
5

LUXOR
90
27
9

 

 

6

OSIRIS
89
35
8
7

NEPTHYS
107
35
8
3

SET
44
8
8
5

THOTH
71
26
8
4

MAAT
35
8
8
5

ORION
71
35
8
10

THUTHMOSIS
152
8
10

ALEXANDRIA
89
44
8
7

PAPYRUS
116
35
8
7

SAKKARA
62
17
8
6

SCARAB
44
17
8
7

CHEMNIS
71
35
8
4

TUAT
62
8
8
10

ALEXANDRIA
89
44
8
9

PHOENICIA
80
53
8
9

SOLAR RAYS
125
44
8
5

SOLAR
62
26
8
6

DESERT
71
26
8

 

 

8

NEPHTHYS
115
43
7
6

HATHOR
70
34
7
9

AKHENATEN
79
34
7
9

NEFERTITI
106
52
7
7

PTOLEMY
106
34
7
10

AEGYPTIACA
88
43
7
8

HORAKHTY
106
43
7
11

ABRACADABRA
52
34
7
11

HIEROGLYPHS
142
70
7
6

AVARIS
70
25
7
4

ANKH
34
16
7
4

GIZA
43
25
7
10

PYRAMIDION
124
61
7
5

EARTH
52
25
7
7

ZEP TEPI
97
43
7
9

BIRTH OF RA
97
52
7
4

HAPI
34
25
7
5

SINAI
52
25
7
10

SHAT AM TUAT
124
25
7
10

NETER KHERT
124
52
7
9

AMENHOTEP
97
43
7
9

NEFERTITI
106
52
7
5

HORIB
52
34
7

 

 

4

BAST
42
6
6
10

HIEROGLYPH
123
69
6
6

BEN BEN
42
24
6
5

GIZAH
51
33
6
5

MAGIC
33
24
6
4

SIRE
51
24
6
4

BAST
42
6
6
17

ALEXANDER THE GREAT
168
78
6
4

AMEN
33
15
6
12

HET-BENBENNET
114
60
6
3

HET
33
15
6
6

BEN BEN
42
24
6
6

AL KEMI
51
24
6

 

 

2

RE
23
14
5
6

TEFNUT
86
23
5
3

GEB
14
14
5
8

DENDERAH
59
41
5
7

PYRAMID
86
41
5
7

KEPHRON
77
41
5
6

CHRIST
77
32
5
8

NEPHILIM
86
50
5
6

SIRIUS
95
32
5
7

IMHOTEP
86
41
5
6

MARDUK
68
23
5
4

ATON
50
14
5
8

OSIREION
104
50
5
3

RAM
32
14
5
3

UAS
41
5
5
6

ASHEMU
67
23
5
14

REU-NU-PERT-EM-HRU
203
77
5
6

THEBES
59
23
5
5

KAFRE
41
23
5
7

CHEFREN
59
41
5

 

 

10

HERMOPOLIS
130
58
4
6

ZODIAC
58
31
4
7

PHARAOH
67
40
4
9

AKHETATEN
85
31
4
6

CHIRON
67
40
4
6

PAPYRI
85
40
4
4

NILE
40
22
4
7

KEPHRI
67
40
4
6

ROSTAU
94
22
4
4

ATEN
40
13
4
7

MANETHO
76
31
4
6

BASTET
67
13
4
3

BJA
13
4
4
4

PHYR
67
31
4

 

 

3

SHU
48
12
3
6

ANUBIS
66
21
3
8

BUBASTIS
93
21
3
10

HELIOPOLIS
120
57
3
7

ABRAXAS
66
21
3
6

SAHARA
48
21
3
4

MOON
57
21
3
5

BIRTH
57
30
3
2

OF
21
12
3
4

SAIS
48
12
3
9

AMENEMHET
84
39
3
6

AMARNA
48
21
3
3

BEN
21
12
3
7

PHYRGIA
84
48
3
6

CHEOPS
66
30
3

 

 

6

RA ATUM
74
20
2
4

ISIS
56
20
2
5

NEITH
56
29
2
6

TEHUTI
83
29
2
6

NETERU
83
29
2
6

KARNAK
56
20
2
7

MEMPHIS
83
38
2
4

WADJ
38
11
2
11

SEKHET-HETEP
101
38
2
6

PYTHON
83
29
2
8

IKHNATON
92
38
2
5

BENNU
56
20
2
4

FIRE
38
29
2

 

 

2

RA
19
10
1
3

NUT
55
10
1
5

EGYPT
73
28
1
8

EL AMARNA
64
28
1
6

NETERT
64
28
1
7

MINERVA
82
37
1
9

CLEOPATRA
91
37
1
9

MERENPTAH
100
46
1
7

PHOENIX
91
46
1
12

KHEPRI RE ATUM
118
46
1
4

DUAT
46
10
1
4

ATUM
55
10
1
5

GIZEH
55
37
1
9

AMENOPHIS
100
46
1
4

UNAS
55
10
1
3

SIR
46
19
1
4

DUAT
46
10
1
5

PYLON
82
28
1
9

AMENOPHIS
100
46
1
4

PYRE
64
28
1

 

 

RAMESSES I
1293-1291
99
27
9

RAMESSES II
1279-1212
99
27
9

RAMESSES III
1182-1151
99
27
9

RAMESSES IV
1151-1145
99
27
9

RAMESSES V
1145-1141
99
27
9

RAMESSES VI
1141-1133
99
27
9

RAMESSES VII
1133-1126
99
27
9

RAMESSES VIII
1133-1126
99
27
9

RAMESSES IX
1126-1108
99
27
9

RAMESSES X
1108-1098
99
27
9

RAMESSES XI
1098-1070
99
27
9

 

 

PTOLEMY I
305-282
106
34
7

PTOLEMY II
285-246
106
34
7

PTOLEMY III
246-222
106
34
7

PTOLEMY IV
222-205
106
34
7

PTOLEMY V
205-180
106
34
7

PTOLEMY VI
180-164 163-145
106
34
7

 

Noted at 9:09 am 02 Nov 2016

The Oracle Forum at 973-Eht-Namuh-973.com
Topics An Introduction to Hyperspace by heron » 05 Apr 2016 15:57

1/2 Replies 15

Views 1836

Last post by heron View the latest post 02 Nov 2016 06:14

 

 

User avatar
heron
Posts: 18
Joined: 05 Apr 2016 15:48
Re: An Introduction to Hyperspace

Quote Postby heron » 05 Apr 2016 20:10

Creatures that drift
in the depths of the sea
are the very last
to discover the water

 

 

 

 

 

 

 

..

 

 

 

AFRICAN NIGHTMARE (SPECTRE OF FAMINE) 1975

 

 

 

 

 

 

 

 
 
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